From Old Masters to Modern Art at Hampel, Munich

15 Sep 2020

Hampel Fine Art Auctions in Munich presents a selection of exclusive works of art including old master & modern art paintings, classic furniture, quality antiquites and works of art. Collectors can easily place bids from home, via absentee bid, phone bid, or online.

Exhibition days: Saturday 19 September until Wednesday, 23 September 2020

Our experts have selected some of the best lots to help you diversify your fine art portfolio. Click on each lot to access more pictures and price estimate or just browse the full catalogues here:


Date: 24 September 2020 | 10 am

Furniture & Interior
Old Master Paintings Part I
Old Master Paintings Part II
Sculpture & Works of Art
Antiquities
Clocks
Silver
Gold Boxes, Miniatures & Jewellery
Impressionists & Modern Art
19th / 20th Century Paintings
Russian Art

Date: 25 September 2020 | 10 am

Decorative objects & Hampel Living
Dissolution of a stately villa

SELECTED LOTS


Left: Hans Rottenhammer the Elder and Jan Brueghel the Elder - Preparation for the wedding of Amphitrite and Poseidon; Right: Gabriel François Doyen - La Lecture

Hans Rottenhammer the Elder (1564/5 – 1625) and Jan Brueghel the Elder (1568 – 1625) - Preparation for the wedding of Amphitrite and Poseidon
Oil on canvas. 140 x 190 cm. An expert’s report by Dr Klaus Ertz dated 20 July 2013 is enclosed. In his conclusion, Dr Ertz admires the consistency with which these two diverse artists of different nationality connected to create this complicated pictorial subject. He concludes that “the painting was created by Hans Rottenhammer (figures) and Jan Brueghel the Elder (landscape) own hands in Italy ca. 1595”. See Price Estimate...
Catalogue: Old Master Paintings - Part I

Gabriel François Doyen (1726 – 1806) - La Lecture
Oil on canvas. 74 x 58.2 cm in oval. Signed and dated “Doyen / 1761” lower left.
In gilt, ornamental profile frame with oval cutout. Accompanied by a copy of the expert’s report by René Millet dated 16 April 2019, who clearly acknowledges Gabriel François Doyens as the painting’s creator. See Price Estimate...
Catalogue: Old Master Paintings - Part I


Left: Bernardo Bellotto, also known as “Canaletto” - The New Market Square in Dresden with View of the Church of Our Lady; Right: Michele Giovanni Marieschi - The Grand Canal at the Confluence with the Cannaregio

Bernardo Bellotto, also known as “Canaletto”, (1721 - 1780) - The New Market Square in Dresden with View of the Church of Our Lady
Oil on canvas. 62 x 96 cm. The supposed viewpoint for this vista is from an upper story of a building at Jüdenhof, an intimate square besides the New Market in Dresden. The key aspect of the depiction is the towering dome of the Church of our Lady [Frauenkirche] built by George Bähr 1726-43, destroyed during the Second World War and rebuilt in recent years. See Price Estimate...
Catalogue: Old Master Paintings - Part I

Michele Giovanni Marieschi (1710 – 1743) - The Grand Canal at the Confluence with the Cannaregio
Oil on canvas. Relined. 62 x 97 cm. In a gilt ornamental frame. See Price Estimate...
Catalogue: Old Master Paintings - Part I


Left: Andrea Sacchi, attributed - Allegory of Dreams; Right: Antonio Allegri Correggio, (ca. 1484 – 1534), attributed - The Fleeing Youth on The Mount of Olives

Andrea Sacchi (1599 – 1661), attributed - Allegory of Dreams
Oil on canvas. 122 x 155.5 cm. See Price Estimate...
Catalogue: Old Master Paintings - Part I

Antonio Allegri Correggio, (ca. 1484 – 1534), attributed - The Fleeing Youth on The Mount of Olives
Oil on panel. 60.5 x 46.4 cm. In a decorative frame. See Price Estimate...
Catalogue: Old Master Paintings - Part I


Left: Giovanni Paolo Panini - Forum Romanum with Colosseum, Arch of Constantine and Borghese Gladiator; Right: Giovanni Antonio Canal, also known as “Canaletto” - Ruin Capriccio with Ancient Roman Figures and Monuments as well as Veduta of Padua

Giovanni Paolo Panini, 1691 Piacenza – 1765 Rome - Forum Romanum with Colosseum, Arch of Constantine and Borghese Gladiator
Oil on canvas. Relined. 74 x 98.5 cm. Signed „I. P. Panini Romae 1742“. The content of the present painting illustrated in the catalogue raisonné (CR) shows references to other paintings by the artist such as a painting with the same subject held at the National Gallery of Ireland, Dublin, no. 725, CR no. 285 or CR no. 375, however, there with a vase instead of the Gladiator (National Gallery, Naples) and CR no. 426 (British Museum, London). See Price Estimate...
Catalogue: Old Master Paintings - Part I

Giovanni Antonio Canal, also known as “Canaletto” (1697 – 1768) - Ruin Capriccio with Ancient Roman Figures and Monuments as well as Veduta of Padua
Oil on canvas. 70 x 90.7 cm. In a burnished frame. Magnificent view of Padua city with a ruin capriccio in the foreground and the Porta Pontecorvo at centre, the Piovego Canal in the foreground to the left surmounted by the Ragione Palace with its beautiful arcades and cupola and the campanile of Basilica di Santa Giustina. See Price Estimate...
Catalogue: Old Master Paintings - Part I


Left: Tommaso di Credi, attributed - The Virgin Mary in Adoration of the Christ Child with Saint John the Baptist and Saint Joseph; Right: Pietro di Domenico - Madonna and Child with Two Angels

Tommaso di Credi, 15th – 16th century, attributed - The Virgin Mary in Adoration of the Christ Child with Saint John the Baptist and Saint Joseph
Oil on panel. Recessed horizontal slat on the back. Diameter: 85 cm. In a gilt frame. See Price Estimate...
Catalogue: Old Master Paintings - Part I

Pietro di Domenico (1457 – ca. 1501/ 1533) - Madonna and Child with Two Angels
Tempera on panel, gold ground. 59.3 x 39 cm. The portrait format panel painting is one of the most important works by Pietro di Domenico. The master depicts densely crowded figures against a tooled gold ground. The painting shows the iconography of The Nursing Madonna. The Virgin, who is offering her breast to the Child, dominates the centre of the painting and is depicted in three-quarter length portrait. See Price Estimate...
Catalogue: Old Master Paintings - Part I


Left: Osias Beert the Elder, attributed - Still Life with Magnificent Trophy Cup, Glasses and Fruit Bowls; Right: Ottmar Elliger the Elder - Fruit Garland Surrounding Niche With Roemer Glas and Lemon

Osias Beert the Elder (ca. 1580 – 1623/24 ibid.), attributed - Still Life with Magnificent Trophy Cup, Glasses and Fruit Bowls
Oil on copper. 49 x 65 cm. The copper plate with embossed manufacturer stamp by Peter Stax, Antwerp, dated “1608” on the reverse. Osias Beert was one of the most famous still-life painters of the early 17th century and one of the first in this genre concentrating entirely on the depiction of high-quality vessels, rare Chinese porcelain bowls but especially his elegant depiction of tantalizing fruit and food. See Price Estimate...
Catalogue: Old Master Paintings - Part I

Ottmar Elliger the Elder (1633 – 1679) - Fruit Garland Surrounding Niche With Roemer Glas and Lemon
Oil on canvas. Relined. 68 x 77.5 cm. In gilt frame with vegetal carved décor.
Attribution by Fred Meijer in 1998, noting that the painting is listed at the RKD in The Hague with no. 64338. See Price Estimate...
Catalogue: Old Master Paintings - Part I

Left: 18th/19th-century artist - A pair of Paintings - With Views of the Interior and Exterior of The Colosseum; Right: Michele Cammarano - Portrait of an Oriental

18th/19th-century artist - A pair of Paintings - With Views of the Interior and Exterior of The Colosseum
Oil on canvas. Relined. 50 x 62 cm each. In gilt frames. See Price Estimate...
Catalogue: Old Master Paintings Part II

Michele Cammarano (1835 - 1920) - Portrait of an Oriental
Oil on canvas, laid down on cardboard. 48 x 40 cm. Possibly a remnant of the signature at the bottom right. In a carved and gilded frame. See Price Estimate...
Catalogue: 19th / 20th Century Paintings

Left: Margaretha Roosenboom - Still Life with White Roses; Right: Jozef Israels - Portrait of a Dutch Girl

Margaretha Roosenboom (1843 – 1896) - Still Life with White Roses
Oil on canvas. 65.8 x 39 cm. Signed “Margt Roosenboom” lower right. See Price Estimate...
Catalogue: Impressionists & Modern Art

Jozef Israels (1824 – 1911) - Portrait of a Dutch Girl
Oil on panel. 41 x 26.5 cm. Signed lower right. In a magnificent gilt frame. See Price Estimate...
Catalogue: Impressionists & Modern Art


Left: Armand Guillaumin - Vase with Magnificent Bouquet, ca. 1900; Right: Jean-Pierre Cassigneul - Le Beret Jaune

Armand Guillaumin (1841 – 1927) - Vase with Magnificent Bouquet, ca. 1900
Oil on canvas. 65.2 x 54 cm. Signed “Guillaumin” lower left. In magnificent gilt original frame. See Price Estimate...
Catalogue: Impressionists & Modern Art

Jean-Pierre Cassigneul (born 1935 Paris) - Le Beret Jaune
Oil on canvas. 91.5 x 64.8 cm. Signed lower right and on the reverse with title “le beret jaune”, place and date “Paris 1970”. See Price Estimate...
Catalogue: Impressionists & Modern Art

Left: Henri Baptiste Lebasque - Summer Landscape with Woman in Deckchair and Children; Right: Paul Hermann Wagner - Summer’s Day with Mother and Daughter on a Meadow

Henri Baptiste Lebasque (1865 - 1937) - Summer Landscape with Woman in Deckchair and Children
Oil on card. 57 x 78 cm. Signed „Lebasque“ lower right. Unframed. Card slightly wavy, minor scratches and signs of wear. See Price Estimate...
Catalogue: Impressionists & Modern Art

Paul Hermann Wagner (1852 – 1937) - Summer’s Day with Mother and Daughter on a Meadow
Oil on canvas. 70 x 110 cm. Signed “Paul Wagner München Kochel” lower left.
In a magnificent gilt frame. See Price Estimate...
Catalogue: 19th / 20th Century Paintings


Left: Carved ivory group of the "Coronation of the Virgin"; Right: Salvador Dalí (1904 – 1989) - Métamorphose Topologique de la Vénus de Milo, 1988

Carved ivory group of the "Coronation of the Virgin"
Height: 22 cm. Width: 15 cm. The style suggests 13th century France. See Price Estimate...
Catalogue: Sculpture & Works of Art

Salvador Dalí (1904 – 1989) - Métamorphose Topologique de la Vénus de Milo, 1988
Bronze, with green patina. Total height: 205 cm. Signed on base: “Salvador Dalí”, on the reverse: “CIRE PERDUE [lost-wax casting] C. VALSUANI limited ed. 6/8 (8 examples + IV artist’s proofs)” The Venus de Milo, held at the Louvre in Paris and discovered in 1820 on the Greek island of Milos, is one of the most renowned examples of Hellenistic art and it gave Salvador Dalí an opportunity for artistic dialogue throughout his career. See Price Estimate...
Catalogue: Impressionists & Modern Art


Left: Magnificent Louis XVI mantle clock by Cellier, Paris; Right: A mantle clock from Le Roy à Paris

Magnificent Louis XVI mantle clock by Cellier, Paris
Height: 57 cm. Width: 39 cm. Depth: 15.5 cm. Imaginative structure in the shape of a monument with double columns and surmounted by a figure of Athena. Rectangular base, tall pedestal and two fluted columns in grey, white-veined Onyx marble. All fittings in fire-gilt bronze. See Price Estimate...
Catalogue: Clocks

A mantle clock from Le Roy à Paris
Height: 46 cm. Width: 39 cm. Depth: 14 cm. Signature on the dial 'Le Roy, Horloger de S.A.L. et R. Madame ”(reference by the watchmaker to his function as purveyor to the Queen). Around 1820. See Price Estimate...
Catalogue: Clocks


Left: Important Fabergé Jardinière; Right: Eugenio Bellosio (1847 – 1927) - Fine, Figuratively Ornamented Silver Jug

Important Fabergé Jardinière
31 x 77 x 24 cm. Weight: 14.000 g. Hallmarked: maker´s mark Fabergé, Moscow city mark for 84 zolotnik for 1908 - 1918. Engraved in Cyrillic on the underside. Moscow, 1908 - 1917. Silver; cast, parcel-gilt. Oval body in heavy cast design on scrollwork feet. Cast and chased acanthus scrollwork shaped handles on the short sides. See Price Estimate...
Catalogue: Silver

Eugenio Bellosio (1847 – 1927) - Fine, Figuratively Ornamented Silver Jug
Height: 60 cm. Signed and dated: “Bellosio fece/ 188(?)”. Italy, 19th century. Silver; cast and damascened gold inlaid iron. See Price Estimate...
Catalogue: Silver



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