New Art Exhibitions in Amsterdam, New York, London, Paris & Rome

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NEW Art Exhibitions to Visit in September 

AMSTERDAM 


^{Left: Self-portrait, Rembrandt van Rijn, c. 1628; Right: Rembrandt (attributed to), Man with the Red Hat, c. 1660. Museum Boijmans van Beuningen, Rotterdam.}

Long Live Rembrandt
^{15 July 2019 - 15 September 2019, Rijksmuseum Amsterdam}

On the anniversary of Rembrandt’s birth, 693 artists opened their own exhibition at the Rijksmuseum: Long Live Rembrandt. Hundreds of artists – from primary school children to established artist, and from financial controllers to cabinetmakers – are paying homage to the great master in the museum’s summer exhibition. The artworks on display include 96 versions of The Night Watch, 253 artworks by children, and 132 copies of Rembrandt’s self-portraits. Long Live Rembrandt runs until 15 September 2019 in the Philips Wing of the Rijksmuseum.

Laboratory Rembrandt: Rembrandt’s Technique Unpicked
^{21 September 2019 - 16 February 2020, The Rembrandt House Museum, Amsterdam}

How did Rembrandt make his paintings and etchings? And how do we go about investigating this today? In the autumn of 2019, the museum will create a laboratory-like setting, in which the new insights and the master’s secrets will be revealed. Discover how a drawing by Rembrandt has changed over the centuries, see what was added to an etching by others and consider the dilemmas of researchers and conservators.
This exhibition will bring the world of research into materials and techniques to life. In recent years scientists and restorers have subjected various works of art by Rembrandt to the latest analytical methods. This has often produced surprising and ground-breaking results. Now visitors will be able to experience the scientific methods and techniques for themselves, in the place where the works of art were made.

NEW YORK


^{Left: TM Davy - This Marram; Right: Anna Sui, Photographer Stuart Ramson}

TM Davy - This Marram
^{10 September - 2 November  2019, Van Doren Waxter, New York}

Van Doren Waxter presents the gallery’s third solo exhibition with Brooklyn-based artist TM Davy, on view on the second floor at 23 East 73rd Street. The current exhibition presents a suite of new pastels and watercolors drawn from observation in Fire Island, where the artist spends time each spring and summer. The works on view include landscapes, portraits, and sunset scenes which capture the artist’s environment and close-knit community on the island. A public exhibition talk with TM Davy and MASS MoCA museum curator Susan Cross will be held on Saturday, October 12 at 2 PM, at the gallery. 

The World of Anna Sui
^{12 September 2019 - 23 February 2020, Museum of Arts and Design, New York}

Unlike other popular American designers, Sui is driven by telling stories head-to-toe about the worlds of cowgirls, grunge girls, hippie chicks, hula girls, Mods, pirate rock stars, Pre-Raphaelite maidens, and surfer nomads. The exhibition gives insights into her process, allowing the viewer to step inside her imagination and watch it unfold.
The World of Anna Sui features approximately one-hundred looks from the designer’s archive, presenting a roll call of twelve archetypes that are staples of the Sui aesthetic. It also spotlights her heroes as a youth and the importance of her collaborators, including the New York City Garment Center.

LONDON


^{Left: Olafur Eliasson: In real life; Right: William Blake Newton 1795 - c.1805}

Olafur Eliasson: In real life
^{11 July 2019 – 5 January 2020, Tate Modern, London}

In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond. Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition will be an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture. And once every other week you’ll be able to communicate with people from Eliasson’s 100-strong team in his Berlin studio via a live link.

William Blake: The Artist
^{11 September 2019 – 2 February 2020, Tate Britain, London}

Inside the exhibition will be an immersive recreation of the small domestic room in which Blake showed his art in 1809. You will be able to experience for yourself the impact these works had when they were shown for the first time. In another room, Blake’s dream of showing his works at enormous scale will be made reality using digital technology.
With over 300 original works, including his watercolours, paintings and prints, this is the largest show of Blake’s work for almost 20 years. It will rediscover him as a visual artist for the 21st century.


^{Adam Pynacker, Landscape with Sportsmen and Game, c.1665, oil on canvas, 137.8 x 198.7 cm, DPG86. Dulwich Picture Gallery, London}

Unlocking Paintings: Artists in Amsterdam
^{10 August 2019 - 12 January 2020, Dulwich Picture Gallery, London}

During the 17th century, Amsterdam became a new economic superpower in Europe, providing a wealth of opportunities for young painters to make their mark. This display explores the personal stories of key artists from our Collection; including works by Meindert Hobbema, Jacob van Ruisdael and Willem van de Velde II. Explores tales of invention, ingenuity, fortune and loss, all against the backdrop of an ambitious, fast-moving city. 

PARIS


^{Left: Berthe Morisot: Female Impressionist; Right: Degas at the Opera}

Berthe Morisot: Female Impressionist
^{18 June - 22 September 2019, Musée d'Orsay, Paris}

The exhibition traces the exceptional career of a painter who, at odds with the practices on her time and her circle, became a key figure of the Parisian avant-garde movement in the late 1860s up until her untimely death in 1895.
Modern subjects and rapid execution are thus linked to the temporality of the representation, and the artist tirelessly tackled the ephemeral and the passing of time. Her last works, characterised by a new expressiveness and musicality, provoke an often melancholic meditation of these relationships between art and life. 

Degas at the Opera 
^{24 September 2019 - 19 January 2020, Musée d'Orsay, Paris}

Throughout his entire career, from his debut in the 1860s up to his final works after 1900, the Opera formed the focal point of Degas’ output. It was his “own room”. He explored the theatre’s various spaces - auditorium and stage, boxes, foyers, and dance studios - and followed those who frequented them: dancers, singers, orchestral musicians, audience members, and black-attired subscribers lurking in the wings. This closed world presented a microcosm of infinite possibilities allowing all manner of experimentations: multiple points of view, contrasts of lighting, the study of motion and the precision of movement. 
This is the first exhibition to consider the Opera as a whole, examining not only Degas’ passionate relationship with the House and his musical tastes, but also the infinite resources of this marvellous ‘toolbox’. The work of a truly great artist offers us the portrait of the Paris Opera in the 19th century.

^{Left: Takesada Matsutani; Right: Stefan Brüggemann: Headlines and Last Lines in the Movies (Guernica)}


Takesada Matsutani
^{26 June -23 September 2019, Centre Pompidou Paris} 

The exhibition invites you to discover sixty years in the career of Takesada Matsutani. He was born in Osaka in Japan and he has lived and worked in Paris since 1966. This first major French retrospective traces his both rich and singular development and highlights twenty-two works dating from the late 1950s to the present day, the artist’s remarkable donation to the Centre Pompidou. The exhibition also pays unprecedented tribute to Matsutani’s original artistic adventure; constantly experimenting with organic matter and its links to the spiritual, he has never ceased to seek out his "internal image".

Stefan Brüggemann: Headlines and Last Lines in the Movies (Guernica)
^{4-29 September 2019; Centre Pompidou Paris} 

Headlines and Last Lines in the Movies (Guernica) is a set of unique works the artist first embarked on in 2010. The term “Headlines” designates the front page headlines of newspapers dating from the week the artist produced the work. The “Last Lines” on the other hand are quotes from film endings (from Citizen Kane to the Wolf of Wall Street). In the ensuing mix of phrases and headlines, the artist depicts a world saturated with information, where truth mingles with fiction. Our faces and identities reflect back and are constructed through this deformed mirror of the world.
In the Centre Pompidou Forum, the work designed to the same dimensions as Picasso’s masterpiece Guernica, takes on the look of a mirror surface covered with citations battling it out before the visitors’ eyes.

ROME 


^{Left: Tenendo per mano il sole, 1984-2004 | filo, stoffa, velluto, cm 33 x 63 | Collezione privata | Photo credit Francesco Casu | Courtesy Archivio Maria Lai © Archivio Maria Lai by SIAE 2019; Right: Luca Signorelli (attribuito), Autoritratto e ritratto di ser Niccolò di Angelo (Franchi), recto, 1504 ca., affresco su lastra in laterizio, Orvieto, Museo dell’Opera del Duomo}

Maria Lai. Holding the Sun by the Hand
^{19 June 2019 - 12 January 2020, MAXXI National Museum of 21st Century Arts, Rome} 

The show represents a fitting tribute to an artist who created, ahead of the latest research into relational art, a language combing sensibility, local traditions and global codes.
The title of the exhibition, Tenendo per mano il sole (Holding the Sun by the Hand) is a citation from and tribute to the first sewn fable created by the artist in 1983. Around 200 works have been selected for the show from the early Sixties through to her final research and include sewn books, sculptures, public works and her celebrated “looms”. The works present a complex biography and an approach to creativity that was free and stripped of prejudice.

Luca Signorelli and Rome. Oblivion and rediscovery
^{19 June - 3 November 2019, Musei Capitolini, Rome}

As the 500th anniversary of the death of Raphael draws near, the Musei Capitolini pays tribute to Luca Signorelli (Cortona, around 1450 - 1523) in the rooms of the Palazzo Caffarelli with the exhibition, Luca Signorelli and Rome. Oblivion and rediscovery. For the first time in Rome, this is a celebration of one of the Italian Renaissance’s leading lights. His remarkable artistic star was obscured only by the unforeseeable arrival of two giants of the following generation: Michelangelo (1475-1564) and Raphael (1483-1520), who were, however, inspired by the master of Cortona to reach the unsurpassed pinnacle of painting that their contemporaries attribute to them. In fact, as Giorgio Vasari wrote, Luca Signorelli “was more famous in his day, and his works were held in higher esteem, than any other previous artist no matter the period”.

September Upcoming Auctions & Viewings

Auction House: Catawiki
Catalogue: Classic Cars
Auction: Ends 22 September | Selected Lots:

^{Left: Austin Healey - 100-6 Rare two-seater - 1959; Right: Mercedes-Benz - 220 Cabrio A - 1958}

Austin Healey - 100-6 Rare two-seater - 1959
Beautiful Austin Healey 100-6 convertible in Ivory White with matching numbers, in nicely restored condition! \n\n. Unique because it is one of the few supplied 2-seaters. Heritage certificate available. \n\n. The Healey has been recently restored in every detail, a photo report is available, only driven a couple of thousand km since the restoration! \n\n. Beautiful red interior, still in very good condition, it is the perfect and original colour combination. \n\n. It’s a pleasure to drive thanks to the 6-cylinder engine with dual carburetors. \n. This Healey is also one of the first models from 1957 with a 6-cylinder engine. See Price Estimate...

Mercedes-Benz - 220 Cabrio A - 1958
This is a Mercedes 220 convertible A (W187 series). \n. It’s clearly visible that the owners of this car (3 previous owners) have taken care of it very well. \n. According to our information, the vehicle was manufactured around 1955 and first registered and used in 1958. \n\n. Flaws: \n. The vehicle is unrestored and has 2 to 3 cracks on the hood and the boot lid. \n. There are 4 to 5 small bubbles on the bottom edges of the doors. See Price Estimate...

Auction House: Hindman 
Catalogue: Asian Works of Art
Auction: 24 September | Selected Lots:

^{Left: Wu Guanzhong(1919-2010) Bridges and The City; Right: Wu Guanzhong(1919-2010) Jiangnan}

Wu Guanzhong(1919-2010) Bridges and The City
Oil on canvas, framed signed Tu and dated 96 in Chinese, signed Wu Guanzhong, dated 1996 and titled in Chinese on the reverse.Image: length 23 1/2 x height 19 3/4 in., 50 x 60 cm. See Price Estimate...

Wu Guanzhong(1919-2010) Jiangnan
Oil on canvas, framed signed Tu and dated 96 in ChineseImage: length 19 3/4 x 15 7/8 in., 40 x 50 cm. See Price Estimate...

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