Old Master to 19th Century Pictures & Decorative Art at Roseberys, London

Roseberys, London presents the Old Master, 18th & 19th Century Pictures auction on Tuesday 24th November. The sale includes a wide selection of paintings, drawings and prints.

The Fine & Decorative auction will be on Wednesday 25 November. The sale comprises more than five-hundred lots, ranging from international works of art, to silverware and classic furniture.

SELECTED LOTS

Old Master, 18th & 19th Century Pictures - 24 November

Left: Studio of George Romney - The Departure for Canaan: Jacob and Rachel with the infant Joseph; Right: Raden Sjarief Bastaman Saleh - Portrait of John Francis Loudon (1821-1895)

Studio of George Romney (1734-1802) - The Departure for Canaan: Jacob and Rachel with the infant Joseph
Oil on canvas, 101x127cm. Provenance: Sotheby’s, London, 18th November 1992, lot 157. See Price Estimate...

Raden Sjarief Bastaman Saleh (1811-1880) - Portrait of John Francis Loudon (1821-1895)
Full-length, in a red coat, in a landscape; oil on canvas, signed and dated ‘Raden Saleh f./1855’, 85x70cm. Raden Saleh was considered a pioneer of modern Indonesian painting. Saleh traveled and lived throughout Europe for over 20 years. The present lot, dated 1855, was painted soon after Saleh’s return. See Price Estimate...

Left: English School, circa 1760-1780 - Portrait of Sir John and Lady Hopkins with their children, and Doctor Boutflower; Right: Studio of Louis-Jean-François Lagrenée - The Education of the Virgin

English School, circa 1760-1780 - Portrait of Sir John and Lady Hopkins with their children, and Doctor Boutflower
Oil on canvas, 96.5x127cm. Sir John Hopkins (d.1796) married Anne Simkins and together they had 5 children; William, Charles, Mary Ann, Amelia and Elizabeth (1755-1830). Nathaniel Boutflower was a successful doctor in London who married Ann, Sir John’s sister. In 1791, Sir John was elected Lord Mayor of London. See Price Estimate...

Studio of Louis-Jean-François Lagrenée (1725-1805) - The Education of the Virgin
Oil on canvas, 41x32.5cm. The original canvas and paint surface of the present work supports a date from the second half of the 18th Century, not long after the original version, on copper, was executed for Mme. See Price Estimate...

Follower of Luca Giordano - The Massacre of the Innocents

Follower of Luca Giordano (1635-1705) - The Massacre of the Innocents
Oil on canvas, 88.5x156cm. Giordano was one of the leading Neapolitan artists during the 17th century, known for his dramatic mythological and religious depictions on large scale canvases. See Price Estimate...

Left: Bartholomeus van Hove - A capriccio view of a Dutch Town; Right: Sir Augustus Wall Callcott RA (1779-1884) - A view of Dordrecht at Sunset, c.1830-40

Bartholomeus van Hove (1790-1880) - A capriccio view of a Dutch Town
Oil on panel, signed and dated 1849, 55x70cm. Bartholomeus Van Hove played a vital role in the revitalisation of Dutch C19th painting as an artist - and as the teacher of numerous influential figures including Johannes Bosboom and Jan Hendrik Weissenbruch. See Price Estimate...

Sir Augustus Wall Callcott RA (1779-1884) - A view of Dordrecht at Sunset, c.1830-40
Oil on canvas, 72x100cm. This is a classic scene from the British landscape painter Augustus Callcott who studied under the famous colourist artist John Hoppner. One particularly interesting aspect of this painting is its very early representation of a paddle steamer, which only came into use in the first decades of the nineteenth century. See Price Estimate...

Left: Attributed to George Morland - Faggot gatherers by a stream; Right: Sidney Richard Percy - A Bright Day at Ullswater

Attributed to George Morland (1762-1804) - Faggot gatherers by a stream
Oil on panel, signed, 25.3x34cm. See Price Estimate...

Sidney Richard Percy (1821-1886) - A Bright Day at Ullswater
Oil on canvas, signed, 86x139cm. Sidney Richard Percy was a successful British landscape painter of the nineteenth century. This piece, as a large-scale pastoral scene, is a typical example of the work for which Percy was most successful and well-known. See Price Estimate...

Jan Griffier the Younger - Riders with a view of a manor house, traditionally identified as Stocks House, Hertfordshire

Jan Griffier the Younger (1698-1773) - Riders with a view of a manor house, traditionally identified as Stocks House, Hertfordshire
Signed and dated ‘J. Griffier 1734’ and with later inscription ‘Stocks House / Aldbury/ Hert*’, oil on canvas, 81x106cm. Jan Griffier the Younger is best known for his animated paintings of animals and landscapes. Like his father, the acclaimed Jan Griffier I (c.1645-1718), Griffier the younger preferred panoramic bird’s eye view formats. This is evident in the present lot, a panoramic view of manor house identified as Stocks House by a later inscription. See Price Estimate...

Left: Attributed to James Holland RWS - View in Venice with stormy skies; Right: Edith Hume - Waiting for the Boats

Attributed to James Holland RWS (1799-1870) - View in Venice with stormy skies
Oil on canvas, 105.5x136cm. This large-scale unfinished oil composition displays a scene most commonly associated with James Holland; the Venetian waterfront, however in this painting the waterfront takes a secondary stage to the moored barges. See Price Estimate...

Edith Hume (1843-1906) - Waiting for the Boats
Oil on panel, signed, bears inscribed labels to the reverse, 32x23cm. See Price Estimate...

Left: Circle of Piat Joseph Sauvage - Allegory of Justice, trompe-l'œil; Right: Studio of Taddeo Zuccaro - Seated Woman holding a staff

Circle of Piat Joseph Sauvage (1744-1818) - Allegory of Justice, trompe-l'œil
Oil on canvas, en grisaille, tondo, 110cm dia. This trompe-l'oeil work is a beautiful example of the popular en grisaille, tondo style of the Renaissance era. See Price Estimate...

Studio of Taddeo Zuccaro (1529-1566) - Seated Woman holding a staff
Pen and brown ink and brown wash heightened with white, traces of red chalk on cream laid paper, bears an inscription and dated 1559, bears a further inscription to the reverse, 37x27.5cm. This lot has come from highly regarded collections over the last four hundred years. Taddeo Zuccaro was an Italian painter, one of the most popular members of the Roman mannerist school. The figure in this drawing appears over the window in the Sala dei Fasti Farnesiani of the Palazzo Farnese in Rome. This work of art is an essential part of the fabric and context behind the Farnese Palace’s design. See Price Estimate...

Fine & Decorative - 25 November

Left: An Italian marble bust of Erato, after Cesare Lapini, 1848-1893, dated 1897; Right: A French Louis XVI style marble and gilt-bronze mounted lyre clock, late 19th century

An Italian marble bust of Erato, after Cesare Lapini, 1848-1893, dated 1897
Modeled with a laurel crown, star sash and lyre, on a waisted socle, inscribed C Lapini, Firenze 1897, 71cm high. See Price Estimate...

A French Louis XVI style marble and gilt-bronze mounted lyre clock, late 19th century
With swinging colourless paste-set bezel to white enamel dial with Roman chapters, twin barrels movement strike on bell, stamped Medaille de Bronze, J.Martie & Cie, 56cm high. See Price Estimate...

Left: A pair of Queen Anne Britannia silver candlesticks, London, c.1709; Right: A Russian silver and champlevé enamel 'izba' design box, Moscow, c.1892

A pair of Queen Anne Britannia silver candlesticks, London, c.1709
Thomas Merry, of faceted, octagonal form with knopped stems and lion and saw armorial to bases and sconces, the undersides initialled RIC, approx. 20.3cm high, total weight approx. 30oz (2). See Price Estimate...

A Russian silver and champlevé enamel 'izba' design box, Moscow, c.1892
Gustav Klingert, assay master Lev Oleks, raised on four square feet, the lid and sides cast to resemble geometric patterns of woven birch, the lid with traditional izba decoration and enamelled thumbpiece, articulated handles to either side, 11.6 x 8cm, approx. weight 11.5oz. See Price Estimate...

Left: An Italian Pietra Dura inlaid specimen marble centre table, early 20th century; Right: A Regency mahogany library table in the manner of Gillows

An Italian Pietra Dura inlaid specimen marble centre table, early 20th century
The circular specimen marble top centred by a classical head, raised on mahogany and gilt metal mounted base, with four curved supports terminating in gilt metal boar heads, to quatrefoil base, raised on squat bun feet, 76cm high, 87cm diameter. See Price Estimate...

A Regency mahogany library table in the manner of Gillows
The rounded rectangular top with moulded edge, inset with green leather writing surface, with two frieze drawers and two opposing drawers, raised on carved and fluted end supports, united by turned stretcher, on carved lions paw feet and castors, 75cm high, 168cm wide, 101cm deep. See Price Estimate...

Edwardian mahogany and inlaid salon suite

Edwardian mahogany and inlaid salon suite
To include two armchairs and two side chairs, together with a matched two seat settee and Victorian floral marquetry inlaid occasional table, 69cm high, 58cm diameter (6). See Price Estimate...

A Louis Vuitton suitcase + Louis Vuitton small trunk + Louis Vuitton monogram canvas hat box

A Louis Vuitton suitcase + Louis Vuitton small trunk + Louis Vuitton monogram canvas hat box
A Louis Vuitton suitcase, covered in LV monogrammed fabric bound in leather with brass fittings, paper label to inside, LOUIS VUITTON 165146 PARIS 70 CHAMPS ELYSEES, LONDON 149 NEW BOND STREET, NICE-CANNES-VICHY, lock stamped 035975, 22 x 66 x 43cm; together with a Louis Vuitton small trunk, covered in LV monogrammed fabric, bound in leather and brass with wood banding, orange paper label to inside, three riding hats and a pith helmet to interior, 40 x 76 x 37cm; and a Louis Vuitton monogram canvas hat box, stamped inside 127767, 37 x 33 x 33cm (3). See Price Estimate...

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