Old Masters to Impressionists & Modern Art at Hampel Auctions, Munich

20 Nov 2020

Hampel Fine Art Auctions in Munich presents the 2020 Winter Sales, offering a selection of exclusive works of art including extraordinary paintings from a wide variety of genres, subjects and styles. Collectors can easily place bids from home, via absentee bid, phone bid, or online.

Exhibition days: Saturday, 28 November until Tuesday, 1 December 2020 – 10 am to 5 pm. Wednesday, 2 December 2020 – exhibition closed
Location: Villa Hampel, Munich, Germany

Our experts have selected some of the best lots to help you diversify your fine art portfolio. Click on each lot to access more pictures and price estimate or just browse the full catalogues here:


Date
: 3 December 2020 | starting 10 am

Furniture & Interior
Old Master Paintings Part I
Old Master Paintings Part II
Sculpture & Works of Art
Impressionists & Modern Art, 19th / 20th Century Paintings


Date
: 4 December 2020 | starting 10 am

Gold Boxes, Miniatures, Semi-precious stone objects
Russian Art
Jewellery
Silver
Bronze Sculptures of the 19th Century
Asian Art
Decorative objects & Hampel Living

SELECTED LOTS


Left: Jacques-Louis David - Le Belisaire; Right: Dirck van Delen, attributed - Church Interior with Armed Men and Archer

Jacques-Louis David (1748 – 1825) - Le Belisaire
Oil on canvas. 43 x 55 cm. In an ebonized and gilt wooden frame. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Dirck van Delen (1605 – 1671) attributed - Church Interior with Armed Men and Archer
Oil on panel. Parquetted. 74 x 103.5 cm. In a profiled walnut frame. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Lucas Cranach the Younger - The Conversion of Paul the Apostle; Right: Sebastian Vrancx - Large Village Fair

Lucas Cranach the Younger (1515 – 1586) - The Conversion of Paul the Apostle
Oil on panel. Parquetted. 93.5 x 83 cm. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Sebastian Vrancx (1573 – 1647) - Large Village Fair
Oil on panel. Parquetted. 51.6 x 75 cm. Remains of a monogram, lower right, on the back of the dog. Unframed. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Giovanni Francesco Guerrieri, attributed - Judith with the Head of Holofernes; Right: Giovanni Andrea Ferrari, attributed - Lot and his Daughters

Giovanni Francesco Guerrieri (1589 - 1655/59), attributed - Judith with the Head of Holofernes
Oil on canvas. Old relining. 94.5 x 118 cm. In gilt, worm-eaten frame with ornamental décor. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Giovanni Andrea Ferrari (1598 – 1669), attributed - Lot and his Daughters
Oil on canvas. Relined. 138 x 115 cm. In a gilt frame. Large-format three-figure composition with Lot in the right half and figures close to the viewer against a dark landscape background, the sky only visible in the top corner. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Bernardino da Asola - The Last Supper

Bernardino da Asola (ca. 1490 - 1535/40) - The Last Supper
Oil on canvas. 113 x 267 cm. In gilt frame with ornamental décor. The painting features a pronounced landscape format with the horizontally designed table covered in a white tablecloth decorated with lozenges ornaments at the centre of the composition and Christ surrounded by a halo at the table‘s centre with his hand resting on Saint John and surrounded by the other disciples. The background suggests the depiction of a city in sfumato technique. See Price Estimate…
Catalogue: Old Master Paintings - Part I



Left: Alvise Vivarini - Madonna and Child - The “Goudstikker Madonna“; Right: Maestro di Lonigo, Italian master of the 15th century - Madonna Dell’Umilta

Alvise Vivarini (ca. 1444 - ca. 1505) - Madonna and Child - The “Goudstikker Madonna“
Tempera and oil on panel. Parquetted. 67 x 51 cm. Accompanied by an expert’s report by Mauro U. Lucco, Bazzano, dated 15 October 2015, as well as a detailed report with an elaborate account of image comparisons, is enclosed. This painting can undoubtedly be considered as an important example of a devotional Madonna picture of the Italian Renaissance in general. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Maestro di Lonigo, Italian master of the 15th century - Madonna Dell’Umilta
Tempera and gold on poplar panel. 63 x 38 cm. In carved and gilt Gothic tracery frame of a later date. Accompanied by an expert’s report by Professor Dr Gaudenz Freuler, Zurich, describing the painting as characteristic for the above-mentioned artist. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Bernardo Bellotto, also known as “Canaletto” - Venice, The Grand Canal with View of the Rialto Bridge; Right: Bernardo Bellotto, also known as "Canaletto", workshop of - Venice Veduta - Church of San Pietro di Castello

Bernardo Bellotto, also known as “Canaletto” (1721 – 1780) - Venice, The Grand Canal with View of the Rialto Bridge
Oil on canvas.55.5 X 73.5 CM. Accompanied by an expert's report by Dario Succi, Gorizia. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Bernardo Bellotto, also known as "Canaletto" (1721 - 1780), workshop of - Venice Veduta - Church of San Pietro di Castello
Oil on canvas. 72 x 131 cm. Accompanied by an expert's report by Dario Succi, Gorizia. The landscape is animated by the inclusion of ships and barges as staffage. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Charles-François Grenier de la Croix, also known as “Lacroix de Marseille” - Mediterranean Port with Arch of Titus; Right: Cornelis van de Velde, attributed - Dutch Harbour with the Royal Charles Firing Gun Salutes

Charles-François Grenier de la Croix, also known as “Lacroix de Marseille” (1700 - 1779) - Mediterranean Port with Arch of Titus
Oil on canvas. 65.5 x 93 cm. Signed and dated “De Lacroix 1780” lower left. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Cornelis van de Velde (ca. 1675 – ca. 1729), attributed - Dutch Harbour with the Royal Charles Firing Gun Salutes
Oil on canvas. Relined. 99.5 x 144.5 cm. Inscribed “W.V.D.V[...]” and dated “169(3)” lower right. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Joos de Momper the Younger and Jan Brueghel the Younger - Mountain Landscape with Travellers and River Valley, ca. 1620; Right: Philippe de Momper The Younger - River Landscape with Company Celebrating Outside a Palace

Joos de Momper the Younger (1564 – 1635) and Jan Brueghel the Younger (1601 – 1678) - Mountain Landscape with Travellers and River Valley, ca. 1620
Oil on canvas. Relined. 86 x 121 cm. Accompanied by an expert‘s report by Dr Klaus Ertz, Lingen, 4 May 2017 and an assessment of the painting by William Thuillier, Old Master and British Paintings, London. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Philippe de Momper The Younger (ca. 1610 – 1675) - River Landscape with Company Celebrating Outside a Palace
Oil on canvas. Relined. 91 x 119 cm. In a decorative frame. Accompanied by expert‘s report by Dr Klaus Ertz, dated November 2020, Lingen. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Andrea Domenico Remps, attributed - Cabinet of Curiosities (Scarabattolo) in Trompe L’œil Painting, ca. 1690; Right: Pieter Brueghel the Younger - Couple with Child Escape a Bumper/ Tondo as a Pained Provery?

Andrea Domenico Remps (ca. 1620 - ca. 1699) Active in Florence in the second half of the 17th century, attributed - Cabinet of Curiosities (Scarabattolo) in Trompe L’œil Painting, ca. 1690
Oil on canvas. 99 x 134.5 cm. The painting is designed as a trompe l’œil work depicting a wide-open wall cabinet with glazed internal doors and opened wooden outer doors. Adding interest is an inscribed note with red lacquer seal stuck to a metal strut on the glass door. The deciphering suggests a connection to the Medici dynasty: “Al Ill (ustrissi)mo Sig(nore) et P(ad)rone mio Il Sig. G. F. Coster, Firenze.” It means “to the most dignified master and my benefactor, Mr G. F. Coster, Florence”. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Pieter Brueghel the Younger (1564 - 1636) - Couple with Child Escape a Bumper/ Tondo as a Pained Provery?
Oil on panel. Diameter: 16.5 cm. Accompanied by an expert’s report by Dr Luuk Pijl, Dokkum, dated 14 October 2019. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Left: Juan van der Hamen y León, and workshop - Still Life with Filled Basket, Chip Box and Bottling Jar; Right: Willem Claesz. Heda, attributed/circle of - Still Life with Roemer Glass, Tipped Over Silver Tazza, Bread and Crab, ca. 1640

Juan van der Hamen y León (1596 - 1631), and workshop - Still Life with Filled Basket, Chip Box and Bottling Jar
Oil on canvas. 80 x 94 cm. Accompanied by an expert's report by Dr Benito Navarrete Prieto with further bibliography. The style of this large-format painting is typical for Spanish still life painting. See Price Estimate…
Catalogue: Old Master Paintings - Part I

Willem Claesz. Heda (1594 - 1680/82), attributed/circle of - Still Life with Roemer Glass, Tipped Over Silver Tazza, Bread and Crab, ca. 1640
Oil on panel. Parquetted, restored. 57 x 72 cm. Signed at centre below on the tablecloth “HEDA”. See Price Estimate…
Catalogue: Old Master Paintings - Part I


Left: Nicolas Régnier, attributed - Allegory of Work; Right: Leonardo Coccorante, attributed - Architecture Capriccio

Nicolas Régnier (1590 - 1667), attributed - Allegory of Work
Oil on canvas. Relined. 91 x 74 cm. In a magnificent gilt frame. Allegory depicted as a half-length portrait of a young woman in the great outdoors. See Price Estimate…
Catalogue: Old Master Paintings - Part II

Leonardo Coccorante (1680 - ca. 1750), attributed - Architecture Capriccio
Oil on canvas. 195 x 120 cm. In a gilt frame. View of the entrance of a palace-like building with round arches and fanciful columns by the sea from an elevated point of view. See Price Estimate…
Catalogue: Old Master Paintings - Part II


Left: Théodore Gericault - Potrait, Probably MME Elisabeth Dedreux, 1817 – 1818; Right: Alex Katz - Jean and Mare, 1976

Théodore Gericault (1791-1824) - Potrait, Probably MME Elisabeth Dedreux, 1817 – 1818
Oil on canvas. 39.9 x 31 cm. In a profiled gilt wooden frame. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings

Alex Katz, (born 1927) - Jean and Mare, 1976
Oil on masonite. 30.2 x 35 cm. Remains of signature lower left. In a stained wooden frame. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings


Left: Henri Baptiste Lebasque - La Famille Lebasque à la Sortie d'un Village Méditerranéen, ca. 1914; Right: Albert Marquet - Audierne. Les Tonneaux

Henri Baptiste Lebasque (1865 – 1937) - La Famille Lebasque à la Sortie d'un Village Méditerranéen, ca. 1914
Oil on canvas. 73 x 92 cm. Signed lower right. In a profiled, parcel-gilt frame. An expert’s report by Denise Bazetoux dated 14 June 2017 is enclosed. The artist’s wife Catherine or his eldest daughter Marthe and his children Pierre and Hélène are depicted resting in the shadows of tall slender trees. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings

Albert Marquet (1875 – 1947) - Audierne. Les Tonneaux
Oil on canvas. 49.8 x 61 cm. Signed "Marquet" lower left. Accompanied by a certificate by Wildenstein Institute. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings


Left: Leo Putz - Roundel Dance II; Right: Painter of the first half of the 20th century - Reclining Female Nude

Leo Putz (1869 – 1940) - Roundel Dance II
Oil on canvas. Relined.86 x 120 cm. Signed “Leo Putz” lower right. In an original gilt frame. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings

Painter of the first half of the 20th century - Reclining Female Nude
Oil on canvas. 99 x 147 cm. Signed lower left “M. Fuhrer” and dated “1932”. In a decorative frame. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings


Left: Giuseppe Bison - Piazza Navona in Rome; Right: Ettore Forti - Chariot Race in Ancient Rome with Triumphal Atch

Giuseppe Bison (1809 – 1883) - Piazza Navona in Rome
Oil on canvas. 56.2 x 86 cm. Detailed and atmospheric depiction of one of the most beautiful and most important squares in Rome during the mid-19th century. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings

Ettore Forti, Italian artist, 19th/ 20th century - Chariot Race in Ancient Rome with Triumphal Atch
Oil on canvas. Relined. 98 x 178 cm. Signed and place name “E. Forti Roma” lower right.
In a decorative gilt frame. See Price Estimate…
Catalogue: Impressionists & Modern Art, 19th / 20th Century Paintings


Left: Jean Marie Pie Claret - Important, Magnificent Box from the Estate of James de Rothschild, A Gift for the Birth of Alfred Charles de Rothschild, 1842 Paris; Right: Giovanni Battista Callegari - Portrait of Marie-Louise of Austria, ca. 1820

Jean Marie Pie Claret, (born 1805) - Important, Magnificent Box from the Estate of James de Rothschild, A Gift for the Birth of Alfred Charles de Rothschild, 1842 Paris
Height: 51 cm. Length: 62 cm. Depth: 50 cm. The escutcheon is inscribed with the name of the manufacturer and designer “PARIS 1842 / J. N. CLARET - ARCH. / INVt & DELINEAVIT”. Ivory, gilt bronze and lapis lazuli. See Price Estimate…
Catalogue: Furniture & Interior

Giovanni Battista Callegari (1785 - 1855) - Portrait of Marie-Louise of Austria, ca. 1820
Oil on canvas. Relined. 162 x 106 cm. In a magnificent gilt frame. The portrait was created in ca. 1820 and shows Marie-Louise, the wife of Napoleon I on a gilt throne beneath a heavy red curtain with a gold border and gold tassel. When this portrait was created she was no longer Empress, but Duchess of Parma, Piacenza and Guastalla. See Price Estimate…
Catalogue: Furniture & Interior



Probably workshop of Charles Grimard, Paris - A Pair Jardiniéres

Probably workshop of Charles Grimard, Paris - A Pair Jardiniéres
83.5 x 76.5 x 52.5 cm. Bronzes hallmarked “G” on the reverse. France. See Price Estimate…
Catalogue: Furniture & Interior


Left: Viennese hippocamp; Right: A pair of vermeil screw-cap bottles

Viennese hippocamp
23.5 x 35.5 cm. Stand, body mounting and ring hallmarked: Vienna city mark, maker’s mark: Hermann Böhm (active 1876 - 1916). Vienna, ca. 1880. Mountain crystal; mounting in gilt silver with gems. In original leather case. See Price Estimate…
Catalogue: Sculpture & Works of Art

A pair of vermeil screw-cap bottles
Height: 18 cm. Weight: 504 g und 480 g. Hallmarked with „pyr“ hallmark and illegible maker‘s mark on underside. 17th century or later. With minimal restoration. See Price Estimate…
Catalogue: Sculpture & Works of Art



Left: Viennese ivory cabinet; Right: Richly decorated centrepiece

Viennese ivory cabinet
41 x 38.5 x 25 cm. Silver elements partially hallmarked with Vienna city mark. Vienna, ca. 1880. See Price Estimate…
Catalogue: Gold Boxes, Miniatures, Semi-precious stone objects

Richly decorated centrepiece
Height: 34 cm. Illegible silver hallmarks on base. Vienna, second half of the 19th century. Silver and gilt, set with numerous semiprecious gems and glass stones. Design in the shape of a female caryatid on a round foot. See Price Estimate…
Catalogue: Gold Boxes, Miniatures, Semi-precious stone objects


Left: A round tortoiseshell box with rich gold mounting and a portrait of Tsarina Katharina the Great; Right: Rare gold snuff box with a coat of arms of the important Russian princely House of Golitsyn

A round tortoiseshell box with rich gold mounting and a portrait of Tsarina Katharina the Great
Height: 3.4 cm. Diameter: 8 cm. Around 1780. Gold mounting with legible gold marks on the profile edge. See Price Estimate…
Catalogue: Russian Art

Rare gold snuff box with a coat of arms of the important Russian princely House of Golitsyn
Height: 2.3 cm. Length: 8.5 cm. Depth: 4.5 cm. Manufacturer´s signature engraved on the front of the inside frame “JnFs BAUTTE & Cie A GENEVE” (address of the goldsmith Jean-François Bautte & Company). Geneva, ca. 1820 - 1830. Gold; wrought, cast, chased and niello decoration. Cover with polychrome enamel depicting the coat of arms of the noble House of Golitsyn. See Price Estimate…
Catalogue: Russian Art


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