A CHINESE BLUE AND WHITE EWER, QING DYNASTY (1644-1911)
Following a Persian metal prototype, the upright cylindrical body rising from a short straight foot, painted in soft tones of underglaze blue with characteristic 'heaping and piling', with a large composite floral meander, the open blooms including peony, musk mallow, lotus, camellia and chrysanthemum enclosed by scrolling stems with their characteristic leaves, the top of the rounded shoulder with a raised band with pendent lappets, all below a tall cylindrical neck painted with scrolling dianthus between classic scroll and keyfret borders, set to one side with a spout of S-shaped profile and rectangular section, pierced at the tip with a double-gourd-shaped aperture, the other side with a wide grooved strap handle, painted with detached floral and lingzhi sprigs, the foot ring with a classic scroll band.35 cm.
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Following a Persian metal prototype, the upright cylindrical body rising from a short straight foot, painted in soft tones of underglaze blue with characteristic 'heaping and piling', with a large composite floral meander, the open blooms including peony, musk mallow, lotus, camellia and chrysanthemum enclosed by scrolling stems with their characteristic leaves, the top of the rounded shoulder with a raised band with pendent lappets, all below a tall cylindrical neck painted with scrolling dianthus between classic scroll and keyfret borders, set to one side with a spout of S-shaped profile and rectangular section, pierced at the tip with a double-gourd-shaped aperture, the other side with a wide grooved strap handle, painted with detached floral and lingzhi sprigs, the foot ring with a classic scroll band.35 cm.
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