A MIRROR PAIR OF TURQUOISE GROUND DAYAZHAI ‘MAGPIE...
A MIRROR PAIR OF TURQUOISE GROUND DAYAZHAI ‘MAGPIE AND WISTERIA’ FAMILLE ROSE PORCELAIN VASES
China, Late Qing Dynasty, 19th century
Painted to the exterior in famille rose enamels on a turquoise ground with a magpie perched on a wisteria vine overlapping a rose branch rising from the foot. The shoulders has a three-character inscription in iron-red “dayazhai” (da ya zhai, 大雅齋) followed by an oval seal with the six-character mark “tian di yi jia chun” that may be translated as "Spring throughout heaven and earth". The belows inscribed in iron red with the mark “Yongqing Changchun” (永慶長春).
H: 27,2 cm
Note: The mark Dayazhai (Studio of the Greater Odes) has been associated with the Dowager Empress Cixi. Although no such hall has been identified, a wooden framed plaque has been found in the Imperial workshops, bearing the characters Dayazhai and with one of two seals reading Tiandi Yijia Chun: see Guo Xingkuan and Wang Guangyao, Guanyang Yuci, Beijing, 2007, pp.145-147.
一对“喜鹊与紫藤”大雅斋粉彩瓷花瓶
中国,晚清,19世纪
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A MIRROR PAIR OF TURQUOISE GROUND DAYAZHAI ‘MAGPIE AND WISTERIA’ FAMILLE ROSE PORCELAIN VASES
China, Late Qing Dynasty, 19th century
Painted to the exterior in famille rose enamels on a turquoise ground with a magpie perched on a wisteria vine overlapping a rose branch rising from the foot. The shoulders has a three-character inscription in iron-red “dayazhai” (da ya zhai, 大雅齋) followed by an oval seal with the six-character mark “tian di yi jia chun” that may be translated as "Spring throughout heaven and earth". The belows inscribed in iron red with the mark “Yongqing Changchun” (永慶長春).
H: 27,2 cm
Note: The mark Dayazhai (Studio of the Greater Odes) has been associated with the Dowager Empress Cixi. Although no such hall has been identified, a wooden framed plaque has been found in the Imperial workshops, bearing the characters Dayazhai and with one of two seals reading Tiandi Yijia Chun: see Guo Xingkuan and Wang Guangyao, Guanyang Yuci, Beijing, 2007, pp.145-147.
一对“喜鹊与紫藤”大雅斋粉彩瓷花瓶
中国,晚清,19世纪