ATTRIBUTED TO THE REV. MATTHEW WILLIAM PETERS, R.A. (BRITISH 1741/2-1814)
ATTRIBUTED TO THE REV. MATTHEW WILLIAM PETERS, R.A. (BRITISH, 1741/2-1814)
Portrait of a lady, possibly the artist's wife, bust-length, in a black dress with a pink bow and a lace cap and muff, in a feigned oval.
oil on canvas
77 x 64 cm (30 1/4 x 25 1/4 in.)
overall framed: 89 x 76 cm (35 30 in.)
William Peters trained under the artist Thomas Hudson and established himself as a portrait painter.
He gained recognition for his portraits, which often depicted members of the British aristocracy and society. He was known for his ability to capture the likenesses of his subjects while also infusing his portraits with a sense of character and dignity. He exhibited regularly at the Royal Academy and was elected a full member (R.A.) in 1791.
Interestingly, in addition to his artistic career, Peters also pursued a religious path. He became an ordained priest in the Church of England and held various positions within the church, including serving as the chaplain to the Earl of Northumberland.
Rev. Matthew William Peters artistic style reflected the trends of his time, with a focus on portraiture and historical subjects. His works are characterised by a classical elegance and attention to detail. While perhaps not as widely known as some other artists of his era.
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ATTRIBUTED TO THE REV. MATTHEW WILLIAM PETERS, R.A. (BRITISH, 1741/2-1814)
Portrait of a lady, possibly the artist's wife, bust-length, in a black dress with a pink bow and a lace cap and muff, in a feigned oval.
oil on canvas
77 x 64 cm (30 1/4 x 25 1/4 in.)
overall framed: 89 x 76 cm (35 30 in.)
William Peters trained under the artist Thomas Hudson and established himself as a portrait painter.
He gained recognition for his portraits, which often depicted members of the British aristocracy and society. He was known for his ability to capture the likenesses of his subjects while also infusing his portraits with a sense of character and dignity. He exhibited regularly at the Royal Academy and was elected a full member (R.A.) in 1791.
Interestingly, in addition to his artistic career, Peters also pursued a religious path. He became an ordained priest in the Church of England and held various positions within the church, including serving as the chaplain to the Earl of Northumberland.
Rev. Matthew William Peters artistic style reflected the trends of his time, with a focus on portraiture and historical subjects. His works are characterised by a classical elegance and attention to detail. While perhaps not as widely known as some other artists of his era.