BILL JACKLIN | AUDIENCE II
Property Sold To Benefit The Mathews Fund Of The McNay Art Museum, San Antonio, Texas
BILL JACKLIN
b.1943
AUDIENCE II
signed, titled and dated 90 on the reverse
oil on canvas
199 by 182.5cm.; 78 by 72in.
Condition Report:
The canvas appears to be original. There are very faint stretcher bar marks to the extreme edges of the work. There are one or two very minor rubs to the work. There is some flattening to some of the impasto tips. There is light dust to the work, with instances of studio detritus, surface matter, and accretions. This excepting, the work appears to be in excellent overall condition.
Please contact the department for a reading under Ultraviolet light.
The work is presented in a painted wooden frame.
Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Provenance:
Marlborough Gallery, New York
Acquired from Jeanne and Irving Mathews by the McNay Museum in 2010
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Property Sold To Benefit The Mathews Fund Of The McNay Art Museum, San Antonio, Texas
BILL JACKLIN
b.1943
AUDIENCE II
signed, titled and dated 90 on the reverse
oil on canvas
199 by 182.5cm.; 78 by 72in.
Condition Report:
The canvas appears to be original. There are very faint stretcher bar marks to the extreme edges of the work. There are one or two very minor rubs to the work. There is some flattening to some of the impasto tips. There is light dust to the work, with instances of studio detritus, surface matter, and accretions. This excepting, the work appears to be in excellent overall condition.
Please contact the department for a reading under Ultraviolet light.
The work is presented in a painted wooden frame.
Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Provenance:
Marlborough Gallery, New York
Acquired from Jeanne and Irving Mathews by the McNay Museum in 2010
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Time, Location
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