CHILDE HASSAM | JUNE DAY BATHER
CHILDE HASSAM
1859 - 1935
JUNE DAY BATHER
signed Childe Hassam and dated 1900 (lower left); also titled June Day/Bather (on an original label affixed to the reverse)
oil on panel
13 ½ by 10 ½ inches
(34.3 by 26.7 cm)
This work will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work.
Condition Report:
There is frame abrasion with a few associated losses at edges and the surface appears to be slightly dirty. There are small specks of loss throughout, most noticeably to the right of the figure. Under UV: there is no apparent inpainting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
James Phillips, New York
Gifford Phillips, San Francisco, California
Pasadena Art Museum, Pasadena, California (sold: Sotheby's New York, December 13, 1972, lot 105)
Acquired by the present owner at the above sale
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CHILDE HASSAM
1859 - 1935
JUNE DAY BATHER
signed Childe Hassam and dated 1900 (lower left); also titled June Day/Bather (on an original label affixed to the reverse)
oil on panel
13 ½ by 10 ½ inches
(34.3 by 26.7 cm)
This work will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work.
Condition Report:
There is frame abrasion with a few associated losses at edges and the surface appears to be slightly dirty. There are small specks of loss throughout, most noticeably to the right of the figure. Under UV: there is no apparent inpainting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
James Phillips, New York
Gifford Phillips, San Francisco, California
Pasadena Art Museum, Pasadena, California (sold: Sotheby's New York, December 13, 1972, lot 105)
Acquired by the present owner at the above sale