Carnegie, Rockefeller & Lewisohn subscribe

Adolph LEWISOHN (1849-1938), John D. ROCKEFELLER, Andrew CARNEGIE and others (subscribers).

[New York School of Applied Design, 160 Lexington Avenue] Four subscription forms (each 13 x 8 inches; 330 x 203mm, or smaller) for the ‘Building Fund of the New York School of Applied Design for Women’, three dated 7th May 1906, the fourth January 1906. One printed, three carbon-copy typescripts, all with one or more names, addresses and amounts subscribed – a few of the names autograph (Lewissohn for example), others appear to have been written in as a matter of record by a single unidentified hand. (Old folds, some splits, sections from the blank lower margins of two leaves torn away).

It appears that the plan was to raise the money to buy the plot (for $74,000 - 75,000) then find the money to pay for the building ($200,000). The present forms show that by January 1906, Charles G. Emery had ‘purchased a plot of ground’ and then gave the School ‘an option on same, at the price paid be him for such plot, viz: Seventy-four Thousand … Dollars’. By May the price had been revised to $75,000, and the names and amounts subscribed show that the appeal had reached $55000, with $25000 coming from Rockefeller and $5000 from Carnegie.

The legible names are: Henry B. Wilson; Charles G. Emery; John D. Rockefeller; Frank ?????; Mrs William J. Cochran; Mrs Andrew Carnegie; Adolph Lewisohn [see images]

“The New York School of Applied Design building, located at 160 Lexington Avenue on the northwest corner of Lexington Avenue and East 30th Street, is a neoclassical building of terra cotta, brick, and stone. The five-story building, built in 1908 and 1909, was designed by architect Harvey Wiley Corbett of the firm Pell & Corbett “ (wikipedia).

Wikpedia also notes that “The New York School of Applied Design for Women, established in 1892, was an early design school for women in New York City. The New York School of Applied Design building was built in 1908 and is now a landmarked building.

The school became the New York Phoenix School of Design in 1944 when it merged with the Phoenix Art Institute, and in 1974, it merged with the Pratt Institute to form the Pratt-New York Phoenix School of Design.

The school, originally located at 200 West 23rd Street, was established in 1892. The founder and driving force of the school, Ellen Dunlap Hopkins, was involved in the academic program, fund-raising among wealthy individuals, management, and administration.

Unique at its time for providing advanced education to working class women, its purpose was that "of affording to women inspiration which may enable them to earn a livelihood by the employment of their taste and manual dexterity in the application of ornamental design to manufacture and the arts."

The school provided courses in illustration, book cover design, interior design, wallpaper and textile design, architecture, and a wide range of other art and design courses. The school, with an extensive art library, taught historic art and design classes for the students first two years at the school. It employed Henry L. Parkhurst of Tiffany Glass and Decorating Company to teach book cover design, Paul de Longpré taught watercolor flower painting, and Daniel Carter Beard taught animal drawing. The school arranged for the sale of artworks by graduates and students.

Its original directors were James Carroll Beckwith of the Art Students League of New York and the Metropolitan Museum of Art; Reverend Dr. John Wesley Brown of Saint Thomas Church, lawyer and statesman Elihu Root, and Ellen Dunlap Hopkins. Its later supporters included John D. Rockefeller, J. P. Morgan, and Adolph Lewisohn.

Within two years of operation, two of its students were the first women to join the New York Sketch Club and a student was the first woman to have her work presented with male architects at the Architectural League.

The school outgrew its rented quarters and rented additional space an adjacent building. Harvey Wiley Corbett, an architect and instructor at the school ran the Atelier Corbett and the school's architectural department, based upon the principles that he learned at the École des Beaux-Arts in France. When it was clear that a new building was needed, he engaged his students to work on the plans for the building, some paid at scale wages.

The New York School of Applied Design building… [was] funded by J. P. Morgan and John D. Rockefeller. The front entry on 30th Street has a double-paneled doorway and paneled spandrel, above which is a cornice and then a five-paned transom. Alongside the doorway are pilasters. The high ashlar base includes a bas-relief frieze made from casts of the Parthenon frieze held in the Elgin Marbles collection of the British Museum. Architectural features include ionic columns, a terra cotta entablature with classical moldings, and a terra cotta cornice with ornate acanthus scrolls and palmettes. On the fifth floor is a skylit studio. The steep gabled roof is made of tin and galvanized iron. By 1977, there had been no major changes to the original building design. At the time it was criticized in an Architecture magazine article as "drastically modern"

The building, which faces 30th Street, was designated a New York City Landmark in 1977 for its "special character, special historical and aesthetic interest and value as part of the development, heritage and cultural characteristics of New York City." The building was added to the National Register of Historic Places on December 16, 1982.

In 1986, the building no longer housed an art school. The building, purchased by Altro Health and Rehabilitation Services, was used as vocational training center. Touro College purchased the building in 1990 or 1991. In 1992, the building underwent a $750,000 renovation, led by the architectural firm Lemberger Brody Associates, and became the school's Lexington Avenue campus, It has ten classrooms, a library, two reading rooms, and a laboratory. The building retains its oversized windows and skylights. Classes began in September 1992. Touro sold it in 2006 to Lexington Landmark Properties. It is now the site of Dover Street Market, having undergone an architectural project that reflects the design aesthetics of founder Rei Kawakubo, which was implemented by architect Richard H. Lewis. Within the interior of the building, is a glass elevator, three 60-foot pillars, and art installations.

Ongoing activities

By 1910, there were 4,000 women who had attended the school. Beginning that year, there was an affiliation with Columbia University that allowed the school's students to take courses at Columbia for two years, and then enroll in Columbia. The affiliation continued until 1912 when the Atelier Columbia was established; Atelier Corbett was a forerunner of this organization. Austin W. Lord was also an instructor of architecture courses. In 1915, architect James Monroe Hewlett and Anne Dornin where architecture instructors.

For her role with the school, Dunlap Hopkins was awarded the Michael Friedsam Gold Medal. The citation stated, "Courageous leader in the education of women, student of the arts and friend of the artists, sympathetic teacher of young designers destined to improve by their work and their ideas the standards of art in industry, founder of the New York School of Applied Design and for 45 years its guide and counselor, devout adherent of the belief that the might of the fine design will make the right of successful industrial art." She died in 1939. “