Christian Marclay, Dictators
signed and dated "Christian Marclay 1990" on the reverse
record covers and screws
61 x 61 in. (154.9 x 154.9 cm.)
Executed in 1990.
Provenance:
Tom Cugliani Gallery, New York
Private Collection
Sotheby's, New York, November 15, 2000, lot 194
Acquired at the above sale by the present owner
Exhibited:
Los Angeles, UCLA Hammer Museum; Annandale-on-Hudson, Bard College, The Center for Curatorial Studies Museum; The Seattle Art Museum; Kunstmuseum Thun, Christian Marclay, June 1, 2003 - September 6, 2004, p. 135 (illustrated, p. 176)
Literature:
Sabine B. Vogel, "In Record Time: Christian Marclay", Artforum, May 1991, p. 105 (illustrated, p. 106)
Carol Diehl, "Mixmaster (Christian Marclay)", Art in America, September, 2003, p. 92
Holland Cotter, "Art Review: An Artist Makes Music Touchable", The New York Times, New York, October 13, 2003, Section E, p. 1
Christian Marclay, Christian Marclay, London, 2005, p. 160 (illustrated, p. 43)
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signed and dated "Christian Marclay 1990" on the reverse
record covers and screws
61 x 61 in. (154.9 x 154.9 cm.)
Executed in 1990.
Provenance:
Tom Cugliani Gallery, New York
Private Collection
Sotheby's, New York, November 15, 2000, lot 194
Acquired at the above sale by the present owner
Exhibited:
Los Angeles, UCLA Hammer Museum; Annandale-on-Hudson, Bard College, The Center for Curatorial Studies Museum; The Seattle Art Museum; Kunstmuseum Thun, Christian Marclay, June 1, 2003 - September 6, 2004, p. 135 (illustrated, p. 176)
Literature:
Sabine B. Vogel, "In Record Time: Christian Marclay", Artforum, May 1991, p. 105 (illustrated, p. 106)
Carol Diehl, "Mixmaster (Christian Marclay)", Art in America, September, 2003, p. 92
Holland Cotter, "Art Review: An Artist Makes Music Touchable", The New York Times, New York, October 13, 2003, Section E, p. 1
Christian Marclay, Christian Marclay, London, 2005, p. 160 (illustrated, p. 43)