David Roberts RA, Scottish 1796-1864- The Holy Land, 1855-1856; chromolithographs on wove, eight plates, each signed within the plate, published by Day and Son, to include Plate 77 Ruins of Baalbec; Plate 88 The Circular Temple at Baalbec; Plate...
David Roberts RA, Scottish 1796-1864- The Holy Land, 1855-1856; chromolithographs on wove, eight plates, each signed within the plate, published by Day and Son, to include Plate 77 Ruins of Baalbec; Plate 88 The Circular Temple at Baalbec; Plate 131 Ruins of the Temple of Kom Ombo, upper Egypt; Plate 133. Colossal Figures in front of the Great Temple of Aboo-Simbel; Plate 137 he colossal statues of Amenoph III; Plate 155 Libyan Chain of Mountains, from the Temple of Luxor; Plate 163 Portico of the Temple of Kalabshe, Nubia; Plate 165. Grand Portico of the temple of Philae- Nubia, each image 21 x 14.3cm (framed) (8) ``1
Prints are held in matching gilded frames with mounts (all glazed). All subject to spots of foxing, predominantly to the print; 'Ruins of the Temple of Kom Ombo, upper Egypt'. Heavy discoloration to 'The Circular Temple at Baalbec'. Some blemishes/liquid marks to some of the prints. See images.
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David Roberts RA, Scottish 1796-1864- The Holy Land, 1855-1856; chromolithographs on wove, eight plates, each signed within the plate, published by Day and Son, to include Plate 77 Ruins of Baalbec; Plate 88 The Circular Temple at Baalbec; Plate 131 Ruins of the Temple of Kom Ombo, upper Egypt; Plate 133. Colossal Figures in front of the Great Temple of Aboo-Simbel; Plate 137 he colossal statues of Amenoph III; Plate 155 Libyan Chain of Mountains, from the Temple of Luxor; Plate 163 Portico of the Temple of Kalabshe, Nubia; Plate 165. Grand Portico of the temple of Philae- Nubia, each image 21 x 14.3cm (framed) (8) ``1
Prints are held in matching gilded frames with mounts (all glazed). All subject to spots of foxing, predominantly to the print; 'Ruins of the Temple of Kom Ombo, upper Egypt'. Heavy discoloration to 'The Circular Temple at Baalbec'. Some blemishes/liquid marks to some of the prints. See images.
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