Edward Willis Redfield, Garden, Boothbay Harbor, Maine
Property of an American Corporation
Edward Willis Redfield
1869 - 1965
Garden, Boothbay Harbor, Maine
signed E.W.REDFIELD. (lower right)
oil on canvas
21 1/4 by 26 1/4 inches
(54 by 66.7 cm)
Painted circa 1920-30.
This painting will be included in the forthcoming catalogue raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk.
Condition Report:
The canvas is unlined and the tacking edges are covered with brown tape. There is some isolated surface cracking in the areas of thicker impasto. Under UV: although some pigments fluoresce they appear to be the artist's original work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
The artist
(likely) Gustave Etra, Pennsylvania, 1948
R.H. Love Galleries, Chicago, Illinois, circa 1990
Dr. Richard Perritt, Chicago, Illinois, circa 1990 (acquired from the above)
Estate of the above (sold: Hindman Auctioneers, Chicago, Illinois, March 14, 1993, lot 21, as Garden Boothbay Harbor, Michigan)
Acquired by the present owner in 1996
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Time, Location
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Property of an American Corporation
Edward Willis Redfield
1869 - 1965
Garden, Boothbay Harbor, Maine
signed E.W.REDFIELD. (lower right)
oil on canvas
21 1/4 by 26 1/4 inches
(54 by 66.7 cm)
Painted circa 1920-30.
This painting will be included in the forthcoming catalogue raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk.
Condition Report:
The canvas is unlined and the tacking edges are covered with brown tape. There is some isolated surface cracking in the areas of thicker impasto. Under UV: although some pigments fluoresce they appear to be the artist's original work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
The artist
(likely) Gustave Etra, Pennsylvania, 1948
R.H. Love Galleries, Chicago, Illinois, circa 1990
Dr. Richard Perritt, Chicago, Illinois, circa 1990 (acquired from the above)
Estate of the above (sold: Hindman Auctioneers, Chicago, Illinois, March 14, 1993, lot 21, as Garden Boothbay Harbor, Michigan)
Acquired by the present owner in 1996
Estimate
Time, Location
Auction House
