Hiroshi Yoshida "Dainan Gate in Mukden" Woodblock
Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Dainan Gate in Mukden," depicting the great south gate at Mukden (Shenyang) in Liaoning in China. Pencil signed along the lower right; titled along the lower left.
Image; height: 9 1/2 in x width: 14 1/2 in. Matted; height: 15 in x width: 20 in. Margin; right: 1 in x left: 1/2 in x lower: 1/2 in x upper: 1 in.
Condition Report: The print is in good condition overall with no visible rips, tears, or major creases. The paper is hinged along the upper corners with framer's tape. The paper is toned and browned along the extreme margins. Wear along the right margin. There is an acidic burn visible throughout the recto. There is a tear to the upper right corner along the framer's tape line. There is a minor crease to the lower right corner, which is only visible under careful scrutiny. There is a minute mark to the lower left quadrant. When inspected under UV light, there is no visible sign of restoration. There are two pinholes along the upper margin, which are original to the artistic practice. From the verso, the paper is toned and browned. There is a minute skimming to the lower right along the verso. The mat is toned, and there is water damage along the lower margin.
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Hiroshi Yoshida (Japanese, 1876-1950). Japanese shin-hanga woodblock print titled "Dainan Gate in Mukden," depicting the great south gate at Mukden (Shenyang) in Liaoning in China. Pencil signed along the lower right; titled along the lower left.
Image; height: 9 1/2 in x width: 14 1/2 in. Matted; height: 15 in x width: 20 in. Margin; right: 1 in x left: 1/2 in x lower: 1/2 in x upper: 1 in.
Condition Report: The print is in good condition overall with no visible rips, tears, or major creases. The paper is hinged along the upper corners with framer's tape. The paper is toned and browned along the extreme margins. Wear along the right margin. There is an acidic burn visible throughout the recto. There is a tear to the upper right corner along the framer's tape line. There is a minor crease to the lower right corner, which is only visible under careful scrutiny. There is a minute mark to the lower left quadrant. When inspected under UV light, there is no visible sign of restoration. There are two pinholes along the upper margin, which are original to the artistic practice. From the verso, the paper is toned and browned. There is a minute skimming to the lower right along the verso. The mat is toned, and there is water damage along the lower margin.
