Holbein, Hans II ; Vorsterman, Lucas I ; Hollar, Wenceslaus
Holbein, Hans II ; Vorsterman, Lucas I ; Hollar, Wenceslaus
HOLBEIN, Hans II (after) 2 portraits. 17th c Good impressions. Fine prints after the great Renaissance painter Hans Holbein II (c. 1497-1543): 1. Hollar, Wenceslaus - Margaret Butts. Antwerp, Adam Alexius Bierling, 1649. Etching, 13,4 x 9,3 cm, laid paper, signed and dated "HHolbein inv: / WHollar fecit 1649", address "A. Alexius Bierling exc." (trimmed on platemark). Hinged to cardboard at upper edge. Ref. New Hollstein German 1067.III (of III). - 2. Vorsterman, Lucas I - So-called portrait of Thomas More. 1631. Engraving, 25,0 x 17,3 cm, laid paper with watermark (double C), signed "H. Holbenius pinxit. / LV sculpsit.", dated 1631, Latin text (trimmed on platemark, few spots, black stain on cloak hardly visible). Ref. Hollstein XLIII.200-201.191.III (of IV).
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Holbein, Hans II ; Vorsterman, Lucas I ; Hollar, Wenceslaus
HOLBEIN, Hans II (after) 2 portraits. 17th c Good impressions. Fine prints after the great Renaissance painter Hans Holbein II (c. 1497-1543): 1. Hollar, Wenceslaus - Margaret Butts. Antwerp, Adam Alexius Bierling, 1649. Etching, 13,4 x 9,3 cm, laid paper, signed and dated "HHolbein inv: / WHollar fecit 1649", address "A. Alexius Bierling exc." (trimmed on platemark). Hinged to cardboard at upper edge. Ref. New Hollstein German 1067.III (of III). - 2. Vorsterman, Lucas I - So-called portrait of Thomas More. 1631. Engraving, 25,0 x 17,3 cm, laid paper with watermark (double C), signed "H. Holbenius pinxit. / LV sculpsit.", dated 1631, Latin text (trimmed on platemark, few spots, black stain on cloak hardly visible). Ref. Hollstein XLIII.200-201.191.III (of IV).