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LOT 19

JACK B. YEATS, R.H.A. | SIMON THE CYRENIAN

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Property from the Collection of Sir Michael Smurfit
JACK B. YEATS, R.H.A.
1871-1957
SIMON THE CYRENIAN

signed l.r.: JACK. B YEATS
oil on board
45.5 by 61cm., 18 by 24in.
Painted in 1902.

Condition Report:
The board appears sound. There are some minor losses and surface abrasions located in the upper left corner, near centre of left edge, along the lower and right edges; otherwise the work appears in good overall condition.

Ultraviolet light reveals some occasional spots of florescence, some of which maybe retouching, some which appears to be the result of uneven varnish.

Held under glass in a composite frame; unexamined out of frame.

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Provenance:
Sold in 1902 to John Quinn;

American Art Galleries, New York, Sale of the John Quinn Collection, 9 February 1927, lot 91, where purchased by Ernest Boyd;

Dr. P. Macartan;

Patrick Macartan, Greystones;

Adams, Dublin, December 1975

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UK, London
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[ translate ]

Property from the Collection of Sir Michael Smurfit
JACK B. YEATS, R.H.A.
1871-1957
SIMON THE CYRENIAN

signed l.r.: JACK. B YEATS
oil on board
45.5 by 61cm., 18 by 24in.
Painted in 1902.

Condition Report:
The board appears sound. There are some minor losses and surface abrasions located in the upper left corner, near centre of left edge, along the lower and right edges; otherwise the work appears in good overall condition.

Ultraviolet light reveals some occasional spots of florescence, some of which maybe retouching, some which appears to be the result of uneven varnish.

Held under glass in a composite frame; unexamined out of frame.

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Provenance:
Sold in 1902 to John Quinn;

American Art Galleries, New York, Sale of the John Quinn Collection, 9 February 1927, lot 91, where purchased by Ernest Boyd;

Dr. P. Macartan;

Patrick Macartan, Greystones;

Adams, Dublin, December 1975

[ translate ]
Sale price
Unlock
Estimate
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Time, Location
09 Sep 2020
UK, London
Auction House
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