JULES BRETON | PORTRAIT D'HOMME (STUDY FOR UN GRAND PARDON BRETON)
JULES BRETON
French
1827 - 1906
PORTRAIT D'HOMME (STUDY FOR UN GRAND PARDON BRETON)
signed Jules Breton. and dated 68. (lower left)
oil on canvas
11⅞ by 9¼ in.
30.2 by 23.5 cm
Condition Report:
Not examined out of the frame. Original unlined condition. The work presents well overall. Minor bumping and pulling at upper and lower left; minor surface dirt and dust with some isolated pin dot accretions; a faint horizontal stretcher bar mark at center; and a few pin dot losses in the lower quadrants, including the 'J' of the signature. Under UV: varnish fluoresces green. No apparent issues.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
The artist's studio (and sold, Galerie Georges Petit, Paris, June 2-3, 1911, lot 167, illustrated, as Le Chouan)
Comtesse de Guigné (acquired at the above sale)
Sale: François Branger, Angers, December 14, 1991, lot 334, illustrated
Acquired at the above sale by the present owner
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JULES BRETON
French
1827 - 1906
PORTRAIT D'HOMME (STUDY FOR UN GRAND PARDON BRETON)
signed Jules Breton. and dated 68. (lower left)
oil on canvas
11⅞ by 9¼ in.
30.2 by 23.5 cm
Condition Report:
Not examined out of the frame. Original unlined condition. The work presents well overall. Minor bumping and pulling at upper and lower left; minor surface dirt and dust with some isolated pin dot accretions; a faint horizontal stretcher bar mark at center; and a few pin dot losses in the lower quadrants, including the 'J' of the signature. Under UV: varnish fluoresces green. No apparent issues.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
The artist's studio (and sold, Galerie Georges Petit, Paris, June 2-3, 1911, lot 167, illustrated, as Le Chouan)
Comtesse de Guigné (acquired at the above sale)
Sale: François Branger, Angers, December 14, 1991, lot 334, illustrated
Acquired at the above sale by the present owner