Joan Miro (1893-1983), after - Jaillie du Calvaire
Original lithograph on Arches vellum, unsigned, unnumbered. Limited edition of 800 copies for the portfolio "Mourlot, Souvenirs and Portraits of Artists" Editors: Alain A. C. Mazo, Paris; Leon Amiel, New York, 1972 Ref. : Mourlot 850; Cramer 156
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Joan MIRÓ was born on April 20, 1893, in Montroig, Spain. He died on December 25, 1983, in Palma de Mallorca in the Balearic Islands. He was a painter of mixed techniques, aquarelle gouaches, engraver, lithographer. Styles: Polymorphic, surrealist, abstract. J. Miró is among the top ten international values of modern painting. He studied at the Fine Arts of Lonja in Spain, architecture in Barcelona from 1911 to 1914. Influenced by Cubism in 1919, Dadaism in 1923, he found his fulfillment in Surrealism, joining the group from 1924. He began the series of dream paintings on a monochrome background. He created his own language composed of surreal signs with black outlines. The sculptures from his later period are often made of synthetic resin painted with flat colors and punctuated with graphic signs. Five signatures identified during his artistic evolution. He was a polymorphic painter—surrealist, abstract—using mixed techniques (gouache, watercolor) and paper collages in 1933, engraving (etching) in 1933, lithography, ceramics with his brother-in-law Artigas in 1944, sculpture (object sculptures) , with those from his latest period often created in synthetic resin painted with flat colors and punctuated with graphic and fanciful signs. His first art exhibition dates to 1918 during the 'Fauvism-Catalan' period, and he exhibited for the first time in 1921 at the La Licorne gallery. He experimented with 'wild paintings' in 1935 during a period of anxious works. White-background paintings emerged in 1970, and burned, scarred ones in 1972. His first solo exhibition in the United States was in 1930, and he also started lithography in 1970. Million-dollar auctions are reserved for canvases from the 1930s and 1950s. He studied at the Fine Arts of Lonja in Spain from 1907 to 1910 and architecture in Barcelona from 1911 to 1914. He attended the free Academy of the Cercle Sant Luch from 1915 to 1918. In 1915, he created his first paintings influenced by Fauvism. In 1917, he met Picabia. In 1918, he held his first exhibition of paintings during the 'Fauvism-Catalan' period. In 1919, he took his first trip to Paris, where he settled more permanently in 1920. He was in the 'Detailist' or 'Precisionist' period in 1919. In 1920, he painted 'The table with the rabbit. ' His first exhibition at the La Licorne gallery was in 1921. In 1922, he painted 'The farm,' which he worked on for nine months and was acquired by Hemingway, marking the end of his poetic realist era. In 1922, he created 'The wheat ear. ' In 1923, he created 'The wheat stalk. ' In 1924, he joined the Surrealist group. In 1924, he painted 'This Catalan landscape,' also called 'The hunter. ' In 1925, he had a solo exhibition at the Pierre Loeb gallery. In 1928, he adopted a Surrealist style with 'The Spanish dancer. ' In 1930, he had his first solo exhibition in the United States. That year, he also began lithography. In 1931, he created 'Sculptures-Objects' at the Pierre gallery in Paris. In 1932, he exhibited at the Pierre Matisse gallery in New York. In 1933, he created his first etchings and collages with paper and objects. In 1935, he went through an experimental period called 'wild paintings. ' Between 1936 and 1940, he returned to Spain. In 1941, he held his first retrospective at the Museum of Modern Art in New York. From 1942 to 1944, he painted on paper. In 1944, he began creating his ceramics with Artigas. In 1946, he collaborated on the series 'Slow paintings,' featuring women and birds in the night. In 1947, he made his first trip to the United States, after which he traveled there several times, creating murals. In 1948, he exhibited at the Maeght gallery in Paris. In 1950, he created compositions with cords made of splashes, splotches, and various materials. In 1954, he received the printmaking prize at the Venice Biennale. In 1960, he was awarded the Grand Prix of the Guggenheim Foundation in New York. In 1967, he created the painted bronze sculpture 'The woman and the bird. ' In 1974, a retrospective was held at the Grand Palais in Paris. In the same year, his entire engraved work was exhibited at the Museum of Modern Art in Paris. In 1975, the Miró Foundation was established near Barcelona. In 1983, his first posthumous exhibition took place. Retrospectives were held in 1941 at the Museum of Modern Art in New York, in 1974 at the Grand Palais in Paris, and in 1975 at the Miró Foundation near Barcelona. His entire engraved oeuvre is housed at the Museum of Modern Art in Paris.
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Original lithograph on Arches vellum, unsigned, unnumbered. Limited edition of 800 copies for the portfolio "Mourlot, Souvenirs and Portraits of Artists" Editors: Alain A. C. Mazo, Paris; Leon Amiel, New York, 1972 Ref. : Mourlot 850; Cramer 156
Our shipments are sent by an external service provider. Careful shipping with insurance.
During the month of August, part of our service provider's staff is on leave, which affects delivery times and quality. That's why we will resume our regular shipments only from September 1st, 2024. We apologize for this inconvenience.
Joan MIRÓ was born on April 20, 1893, in Montroig, Spain. He died on December 25, 1983, in Palma de Mallorca in the Balearic Islands. He was a painter of mixed techniques, aquarelle gouaches, engraver, lithographer. Styles: Polymorphic, surrealist, abstract. J. Miró is among the top ten international values of modern painting. He studied at the Fine Arts of Lonja in Spain, architecture in Barcelona from 1911 to 1914. Influenced by Cubism in 1919, Dadaism in 1923, he found his fulfillment in Surrealism, joining the group from 1924. He began the series of dream paintings on a monochrome background. He created his own language composed of surreal signs with black outlines. The sculptures from his later period are often made of synthetic resin painted with flat colors and punctuated with graphic signs. Five signatures identified during his artistic evolution. He was a polymorphic painter—surrealist, abstract—using mixed techniques (gouache, watercolor) and paper collages in 1933, engraving (etching) in 1933, lithography, ceramics with his brother-in-law Artigas in 1944, sculpture (object sculptures) , with those from his latest period often created in synthetic resin painted with flat colors and punctuated with graphic and fanciful signs. His first art exhibition dates to 1918 during the 'Fauvism-Catalan' period, and he exhibited for the first time in 1921 at the La Licorne gallery. He experimented with 'wild paintings' in 1935 during a period of anxious works. White-background paintings emerged in 1970, and burned, scarred ones in 1972. His first solo exhibition in the United States was in 1930, and he also started lithography in 1970. Million-dollar auctions are reserved for canvases from the 1930s and 1950s. He studied at the Fine Arts of Lonja in Spain from 1907 to 1910 and architecture in Barcelona from 1911 to 1914. He attended the free Academy of the Cercle Sant Luch from 1915 to 1918. In 1915, he created his first paintings influenced by Fauvism. In 1917, he met Picabia. In 1918, he held his first exhibition of paintings during the 'Fauvism-Catalan' period. In 1919, he took his first trip to Paris, where he settled more permanently in 1920. He was in the 'Detailist' or 'Precisionist' period in 1919. In 1920, he painted 'The table with the rabbit. ' His first exhibition at the La Licorne gallery was in 1921. In 1922, he painted 'The farm,' which he worked on for nine months and was acquired by Hemingway, marking the end of his poetic realist era. In 1922, he created 'The wheat ear. ' In 1923, he created 'The wheat stalk. ' In 1924, he joined the Surrealist group. In 1924, he painted 'This Catalan landscape,' also called 'The hunter. ' In 1925, he had a solo exhibition at the Pierre Loeb gallery. In 1928, he adopted a Surrealist style with 'The Spanish dancer. ' In 1930, he had his first solo exhibition in the United States. That year, he also began lithography. In 1931, he created 'Sculptures-Objects' at the Pierre gallery in Paris. In 1932, he exhibited at the Pierre Matisse gallery in New York. In 1933, he created his first etchings and collages with paper and objects. In 1935, he went through an experimental period called 'wild paintings. ' Between 1936 and 1940, he returned to Spain. In 1941, he held his first retrospective at the Museum of Modern Art in New York. From 1942 to 1944, he painted on paper. In 1944, he began creating his ceramics with Artigas. In 1946, he collaborated on the series 'Slow paintings,' featuring women and birds in the night. In 1947, he made his first trip to the United States, after which he traveled there several times, creating murals. In 1948, he exhibited at the Maeght gallery in Paris. In 1950, he created compositions with cords made of splashes, splotches, and various materials. In 1954, he received the printmaking prize at the Venice Biennale. In 1960, he was awarded the Grand Prix of the Guggenheim Foundation in New York. In 1967, he created the painted bronze sculpture 'The woman and the bird. ' In 1974, a retrospective was held at the Grand Palais in Paris. In the same year, his entire engraved work was exhibited at the Museum of Modern Art in Paris. In 1975, the Miró Foundation was established near Barcelona. In 1983, his first posthumous exhibition took place. Retrospectives were held in 1941 at the Museum of Modern Art in New York, in 1974 at the Grand Palais in Paris, and in 1975 at the Miró Foundation near Barcelona. His entire engraved oeuvre is housed at the Museum of Modern Art in Paris.
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