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LOT 1955462

KERSTIN HEDEBY-PAWLO (born 1926). "Falstaff" AKT 3, signed and dated Kerstin Hedeby 1960, watercolor.

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leaf dimensions approx. 49x64 cm Kerstin Hedeby scenography, painting and portrait "After studying at Anders Beckman's school and the Academy of Fine Arts, Kerstin Hedeby made her early debut in 1957 as a scenographer at Malmö City Theater with Moliere's" Misanthrope "directed by Ingmar Bergman. In her work for the theater, as a set designer and costume designer, Kerstin Hedeby was given free rein for her artistic ambitions and imagination, while her bold colorism could have an undertone of music. Hedeby adapted to the character of the various plays, whether it was about the 17th century baroque in Misantropen or a historicizing surrealism in the costume sketches for Lars Norén's debut play "Fursteslickaren" at Dramaten ... As a painter and free artist, Kerstin Hedeby made her debut in 1957 at Gummeson Art Gallery in Stockholm. In addition to the colorful qualities of her painting, its intensity and sonority, it was above all the expressive feature of her portrayals of people that aroused the interest of audiences and critics. According to reviewer Torsten Bergmark, it was "one of the most interesting debuts in a long time". Particular attention was paid to child portraits and comparisons were made with Siri Derkert and Vera Nilsson."Source: Press release Exhibition at Prins Eugens Waldemarsudde 2001 REPRESENTED: Dansmuseet, Malmö Museum, Moderna Museet, Nationalmuseum etc. Show full text

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oramad.

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Sweden, Stockholm
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leaf dimensions approx. 49x64 cm Kerstin Hedeby scenography, painting and portrait "After studying at Anders Beckman's school and the Academy of Fine Arts, Kerstin Hedeby made her early debut in 1957 as a scenographer at Malmö City Theater with Moliere's" Misanthrope "directed by Ingmar Bergman. In her work for the theater, as a set designer and costume designer, Kerstin Hedeby was given free rein for her artistic ambitions and imagination, while her bold colorism could have an undertone of music. Hedeby adapted to the character of the various plays, whether it was about the 17th century baroque in Misantropen or a historicizing surrealism in the costume sketches for Lars Norén's debut play "Fursteslickaren" at Dramaten ... As a painter and free artist, Kerstin Hedeby made her debut in 1957 at Gummeson Art Gallery in Stockholm. In addition to the colorful qualities of her painting, its intensity and sonority, it was above all the expressive feature of her portrayals of people that aroused the interest of audiences and critics. According to reviewer Torsten Bergmark, it was "one of the most interesting debuts in a long time". Particular attention was paid to child portraits and comparisons were made with Siri Derkert and Vera Nilsson."Source: Press release Exhibition at Prins Eugens Waldemarsudde 2001 REPRESENTED: Dansmuseet, Malmö Museum, Moderna Museet, Nationalmuseum etc. Show full text

Condition

oramad.

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Sale price
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Estimate
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Time, Location
29 Nov 2021
Sweden, Stockholm
Auction House
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View it on