Lee UFAN
Lee UFAN Untitled (I), 2024 Pigment ink print on Hahnemühle William Turner paper, 300 gr. Edition of 70 + 10 artist’s proofs Signed and numbered by the artist 76 x 56 cm Lee Ufan was born in 1936 in Korea; he lives and works in Paris, New York, and Japan. He is the artist-theorist behind the Mono-ha (“School of Things”) avant-garde movement, a Japanese artistic movement that developed in parallel with minimalist and radical movements. Mono-ha is often considered very close to the attitudes and choices that gave rise to Arte Povera in Europe. Lee Ufan’s sculptures are presented as juxtapositions of stones or wood gathered from nature and industrial materials, while his paintings tend toward a single mark, toward meditation and the evocation of emptiness.
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Lee UFAN Untitled (I), 2024 Pigment ink print on Hahnemühle William Turner paper, 300 gr. Edition of 70 + 10 artist’s proofs Signed and numbered by the artist 76 x 56 cm Lee Ufan was born in 1936 in Korea; he lives and works in Paris, New York, and Japan. He is the artist-theorist behind the Mono-ha (“School of Things”) avant-garde movement, a Japanese artistic movement that developed in parallel with minimalist and radical movements. Mono-ha is often considered very close to the attitudes and choices that gave rise to Arte Povera in Europe. Lee Ufan’s sculptures are presented as juxtapositions of stones or wood gathered from nature and industrial materials, while his paintings tend toward a single mark, toward meditation and the evocation of emptiness.
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