Martin Kippenberger, Mirror for Hang-Over Bud
wood, metal, casting resin and aluminum foil
58 x 35 1/2 x 9 1/2 in. (147.3 x 90.2 x 24.1 cm.)
Executed in 1990, this work is from a series of 7 unique variants plus 3 artist's proofs, each with a uniquely shaped lamp post and mirror.
Provenance:
Metro Pictures, New York
Private Collection, New York (acquired from the above in 1992)
Acquired from the above by the present owner
Exhibited:
Cologne, Galerie Gisela Capitain, Martin Kippenberger: Unlängst Verlängerte Originale, 1990 - 1991 (another example exhibited)
Munich, Kunstmuseum Daxer, Martin Kippenberger, 1991 (another example exhibited)
San Francisco Museum of Modern Art, Martin Kippenberger: I Had A Vision, June 13 - August 1991 (another example exhibited)
Esslingen, Galerie der Stadt Esslingen am Neckar, Villa Merkel, Vergessene Einrichtungsprobleme in der Villa Hügel, 1996, n.p., (another example illustrated)
Venice, la Biennale di Venezia: dAPERTutto/APERTO , June 13 - November 7, 1999 (another example exhibited)
Hamburg, Deichtorhallen, Martin Kippenberger - Selbstbildnisse, The Happy End of Franz Kafka's "Amerika," Sozialkistentransport, Laternen etc., 1999, p. 64, (another example illustrated)
Brunswick, Kunstverein Braunschweig, Martin Kippenberger: Multiples, 2003 (installation view of another example exhibited at Galerie Gisela Capitain illustrated, p. 8; another example exhibited and illustrated, p. 92).
Los Angeles, 1301PE Gallery, MARTIN KIPPENBERGER: Forgotten Interior Design Problems in LA (El Pueblo de la Reina de Los Angeles), July - October 2004 (another example exhibited)
Kronach, Fränkische Galerie, Gotik und Moderne im Dialog, January - April 2005 (another example exhibited)
London, Tate Modern; Dusseldorf, K21 Kunstsammlung Nordrhein-Westfalen, Martin Kippenberger, February - September 2006, no. 32, p. 103, (another example exhibited and illustrated)
Mexico City, Colección Jumex, The Natural Order of Things, March - May 2016 (another example exhibited)
Literature:
Karola Grässlin, Ed., Catalogue Raisonné, Martin Kippenberger Multiples, Cologne, 2003, p. 92 (another edition illustrated)
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wood, metal, casting resin and aluminum foil
58 x 35 1/2 x 9 1/2 in. (147.3 x 90.2 x 24.1 cm.)
Executed in 1990, this work is from a series of 7 unique variants plus 3 artist's proofs, each with a uniquely shaped lamp post and mirror.
Provenance:
Metro Pictures, New York
Private Collection, New York (acquired from the above in 1992)
Acquired from the above by the present owner
Exhibited:
Cologne, Galerie Gisela Capitain, Martin Kippenberger: Unlängst Verlängerte Originale, 1990 - 1991 (another example exhibited)
Munich, Kunstmuseum Daxer, Martin Kippenberger, 1991 (another example exhibited)
San Francisco Museum of Modern Art, Martin Kippenberger: I Had A Vision, June 13 - August 1991 (another example exhibited)
Esslingen, Galerie der Stadt Esslingen am Neckar, Villa Merkel, Vergessene Einrichtungsprobleme in der Villa Hügel, 1996, n.p., (another example illustrated)
Venice, la Biennale di Venezia: dAPERTutto/APERTO , June 13 - November 7, 1999 (another example exhibited)
Hamburg, Deichtorhallen, Martin Kippenberger - Selbstbildnisse, The Happy End of Franz Kafka's "Amerika," Sozialkistentransport, Laternen etc., 1999, p. 64, (another example illustrated)
Brunswick, Kunstverein Braunschweig, Martin Kippenberger: Multiples, 2003 (installation view of another example exhibited at Galerie Gisela Capitain illustrated, p. 8; another example exhibited and illustrated, p. 92).
Los Angeles, 1301PE Gallery, MARTIN KIPPENBERGER: Forgotten Interior Design Problems in LA (El Pueblo de la Reina de Los Angeles), July - October 2004 (another example exhibited)
Kronach, Fränkische Galerie, Gotik und Moderne im Dialog, January - April 2005 (another example exhibited)
London, Tate Modern; Dusseldorf, K21 Kunstsammlung Nordrhein-Westfalen, Martin Kippenberger, February - September 2006, no. 32, p. 103, (another example exhibited and illustrated)
Mexico City, Colección Jumex, The Natural Order of Things, March - May 2016 (another example exhibited)
Literature:
Karola Grässlin, Ed., Catalogue Raisonné, Martin Kippenberger Multiples, Cologne, 2003, p. 92 (another edition illustrated)