PAUL PFEIFFER
PAUL PFEIFFER
(Honolulu 1966–lives and works in New York City)Four Horsemen of the Apocalypse (11), 2004.Cibachrome on Fujiflex digital paper.121.4 × 152 cm.(Fully signed, dated and numbered 2/6 on the verso). Original artist's frame.Provenance: Swiss private collection.
'I think of the spectacle of forgetting with computers, history actually can be erased. The limits of historical memory shrink. The spectacle, what Guy DeBord called 'relationship between people that is mediated by images' propels itself by its own visual effect.' (Paul Pfeiffer in an interview with Jennifer Gonzalez, in: Bomb Magazine, 1 April 2003, n.p.)
Slightly wavy, light development spots in places (hardly disturbing).
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PAUL PFEIFFER
(Honolulu 1966–lives and works in New York City)Four Horsemen of the Apocalypse (11), 2004.Cibachrome on Fujiflex digital paper.121.4 × 152 cm.(Fully signed, dated and numbered 2/6 on the verso). Original artist's frame.Provenance: Swiss private collection.
'I think of the spectacle of forgetting with computers, history actually can be erased. The limits of historical memory shrink. The spectacle, what Guy DeBord called 'relationship between people that is mediated by images' propels itself by its own visual effect.' (Paul Pfeiffer in an interview with Jennifer Gonzalez, in: Bomb Magazine, 1 April 2003, n.p.)
Slightly wavy, light development spots in places (hardly disturbing).
Sale price
Estimate
Time, Location
Auction House
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