Richard Paul Lohse - Acht systematische Farbreihen 1955/1967
Richard Paul Lohse
Acht systematische Farbreihen 1955/1967
1967
Oil on canvas. 120 x 120 cm. Signed 'Lohse' verso on canvas and stretcher. Signed, dated, titled, and inscribed 'Richard Paul Lohse Zürich Acht systematische Farbreihen 1955/67' verso on stretcher. - Traces of studio and minor traces of age.
"Due to their dialectical nature, serial and modular design methods draw parallels to expression and activity within a new social reality". (Richard Paul Lohse, Entwicklungslinien 1943–1975)
“In Lohse’s work, the colours used are free of any psychological or associative burden. Each element is identical with its colour, and each colour with its element. Rhythm arises through repetition. The individual element is controllable and constitutes a measurable unit. Standardisation leads to the group, yet the group in its structure remains equivalent to the individual element. Harry Szeemann wrote that viewing a work by Lohse unfolds in three phases: “the eye is initially drawn by the richness of colour forms; then comes the process of laying bare, and finally the restoration of visual unity, informed by an understanding of the picture’s mechanics”. Or, to use Lohse’s own words: “Only open secrets are effective” and “The method is the image”.” (John Matheson, Zur Arbeit von Richard Paul Lohse, in: Richard Paul Lohse, Modulare und Serielle Ordnungen, exhib.cat. Städtische Kunsthalle Dusseldorf, Cologne 1979, p.9)
Certificate
The present work is registered in the Richard Paul Lohse Foundation, Zurich.
Provenance
edition & galerie hoffmann, Friedberg; private collection, Belgium
Exhibitions
Dusseldorf 1975 (Kunsthalle), Richard Paul Lohse, Modulare und Serielle Ordnungen, exhib.cat.nr.65
Zurich 1972 (Helmhaus), Richard P. Lohse
Sale price
Estimate
Time, Location
Auction House
Richard Paul Lohse
Acht systematische Farbreihen 1955/1967
1967
Oil on canvas. 120 x 120 cm. Signed 'Lohse' verso on canvas and stretcher. Signed, dated, titled, and inscribed 'Richard Paul Lohse Zürich Acht systematische Farbreihen 1955/67' verso on stretcher. - Traces of studio and minor traces of age.
"Due to their dialectical nature, serial and modular design methods draw parallels to expression and activity within a new social reality". (Richard Paul Lohse, Entwicklungslinien 1943–1975)
“In Lohse’s work, the colours used are free of any psychological or associative burden. Each element is identical with its colour, and each colour with its element. Rhythm arises through repetition. The individual element is controllable and constitutes a measurable unit. Standardisation leads to the group, yet the group in its structure remains equivalent to the individual element. Harry Szeemann wrote that viewing a work by Lohse unfolds in three phases: “the eye is initially drawn by the richness of colour forms; then comes the process of laying bare, and finally the restoration of visual unity, informed by an understanding of the picture’s mechanics”. Or, to use Lohse’s own words: “Only open secrets are effective” and “The method is the image”.” (John Matheson, Zur Arbeit von Richard Paul Lohse, in: Richard Paul Lohse, Modulare und Serielle Ordnungen, exhib.cat. Städtische Kunsthalle Dusseldorf, Cologne 1979, p.9)
Certificate
The present work is registered in the Richard Paul Lohse Foundation, Zurich.
Provenance
edition & galerie hoffmann, Friedberg; private collection, Belgium
Exhibitions
Dusseldorf 1975 (Kunsthalle), Richard Paul Lohse, Modulare und Serielle Ordnungen, exhib.cat.nr.65
Zurich 1972 (Helmhaus), Richard P. Lohse