SANFORD ROBINSON GIFFORD | STUDY FOR 'MORNING IN THE ADIRONDACKS, 1867'
All That is Glorious Around Us: Property from an Important American Collector
SANFORD ROBINSON GIFFORD
1823 - 1880
STUDY FOR 'MORNING IN THE ADIRONDACKS, 1867'
signed SRGifford (lower left)
oil on canvas
11 ¾ by 10 inches
(29.8 by 25.4 cm)
Painted circa 1866-67.
We are grateful to Dr. Ila Weiss, the leading Sanford Robinson Gifford scholar, for her assistance in cataloguing this lot.
Condition Report:
The canvas is wax -lined and there is frame abrasion at edges. There is surface cracking and the work appears to be slightly dirty. Under UV: there is inpainting to frame abrasion and lines of inpainting to address surface cracking throughout, some if which is visible to the naked eye.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
The artist
Estate of the above (sold: Thos. E. Kirby & Co., New York, April 28-29, 1881, lot 61, as In the Adirondacks)
Private collection (acquired at the above sale)
Hirschl & Adler Galleries, New York, 1972
Acquired by the present owner from the above, 1975
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All That is Glorious Around Us: Property from an Important American Collector
SANFORD ROBINSON GIFFORD
1823 - 1880
STUDY FOR 'MORNING IN THE ADIRONDACKS, 1867'
signed SRGifford (lower left)
oil on canvas
11 ¾ by 10 inches
(29.8 by 25.4 cm)
Painted circa 1866-67.
We are grateful to Dr. Ila Weiss, the leading Sanford Robinson Gifford scholar, for her assistance in cataloguing this lot.
Condition Report:
The canvas is wax -lined and there is frame abrasion at edges. There is surface cracking and the work appears to be slightly dirty. Under UV: there is inpainting to frame abrasion and lines of inpainting to address surface cracking throughout, some if which is visible to the naked eye.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
The artist
Estate of the above (sold: Thos. E. Kirby & Co., New York, April 28-29, 1881, lot 61, as In the Adirondacks)
Private collection (acquired at the above sale)
Hirschl & Adler Galleries, New York, 1972
Acquired by the present owner from the above, 1975