"The Exit of the Toriles" Roberto Domingo Fallola, (Paris, 1883-Madrid,...
"The Exit of the Toriles" Roberto Domingo Fallola, (Paris, 1883-Madrid, 1956), Paris school of the early 20th century
Oil on canvas. Measurements: 100 x 80 cm, measurements with frame: 115 x 96 cm. (Paris, 1883-Madrid, 1956). Spanish painter of manners, who specialized in bullfighting themes, which gave him great fame and prestige. He collaborated as a cartoonist in publications of the time. He began his artistic training in Paris with his father, the painter Francisco Domingo Marqués. There he learned about the work of the French Impressionists. In 1906 he settled in Madrid, where he attended the San Fernando Academy of Fine Arts as a disciple of Antonio Muñoz Degrain. He participated in national and foreign exhibitions; At the National Exhibition of Fine Arts of 1908 he was awarded the third medal and in those of 1910 and 1915, he obtained the second and first medal for the canvases titled Suerte de varas and El coleo, respectively. He exhibited his works in the Pavilion of Fine Arts in Rome in 1911 and continuously in Spanish and London galleries, such as Baillie and Tooth, among others. His work is characterized by the spontaneous treatment of the stain to capture the reality that connects with the tradition of Goya, Lucas and Alenza.
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"The Exit of the Toriles" Roberto Domingo Fallola, (Paris, 1883-Madrid, 1956), Paris school of the early 20th century
Oil on canvas. Measurements: 100 x 80 cm, measurements with frame: 115 x 96 cm. (Paris, 1883-Madrid, 1956). Spanish painter of manners, who specialized in bullfighting themes, which gave him great fame and prestige. He collaborated as a cartoonist in publications of the time. He began his artistic training in Paris with his father, the painter Francisco Domingo Marqués. There he learned about the work of the French Impressionists. In 1906 he settled in Madrid, where he attended the San Fernando Academy of Fine Arts as a disciple of Antonio Muñoz Degrain. He participated in national and foreign exhibitions; At the National Exhibition of Fine Arts of 1908 he was awarded the third medal and in those of 1910 and 1915, he obtained the second and first medal for the canvases titled Suerte de varas and El coleo, respectively. He exhibited his works in the Pavilion of Fine Arts in Rome in 1911 and continuously in Spanish and London galleries, such as Baillie and Tooth, among others. His work is characterized by the spontaneous treatment of the stain to capture the reality that connects with the tradition of Goya, Lucas and Alenza.
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