Vase Ovoid shaped vase, high neck, enlarged mouth, high foot...
Vase
Ovoid shaped vase, high neck, enlarged mouth, high foot with flared support.
Porcelain decorated in the mouth and foot with a gilded band; in the shoulder a series of green leaves in relief; underneath bands in relief is a mythological scene painted in rich colors: "Venus with Cupid in the forge of Vulcan intent on making weapons with her helpers".
For the quality of the paste with imperfections and crevices they are placed in the first period when manufacturer Carlo Ginori was active,, 1750/55.
Doccia, period of Carlo Ginori, 1750-1755.
[The vase is compared with similar ones, decorated with bands in relief in mythological style, but left in white, whose lead copies are in the Doccia Porcelain Museum. The use of mythological reliefs left in white is also seen on plates; see La manifattura toscana dei Ginori - Doccia 1737-1791, a c. from M. Buzzesi, Ospedaletto (Pisa) 1998; O. Ferrari, Porcellane del Settecento, MI 1966, pp. 115, 117.]
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Vase
Ovoid shaped vase, high neck, enlarged mouth, high foot with flared support.
Porcelain decorated in the mouth and foot with a gilded band; in the shoulder a series of green leaves in relief; underneath bands in relief is a mythological scene painted in rich colors: "Venus with Cupid in the forge of Vulcan intent on making weapons with her helpers".
For the quality of the paste with imperfections and crevices they are placed in the first period when manufacturer Carlo Ginori was active,, 1750/55.
Doccia, period of Carlo Ginori, 1750-1755.
[The vase is compared with similar ones, decorated with bands in relief in mythological style, but left in white, whose lead copies are in the Doccia Porcelain Museum. The use of mythological reliefs left in white is also seen on plates; see La manifattura toscana dei Ginori - Doccia 1737-1791, a c. from M. Buzzesi, Ospedaletto (Pisa) 1998; O. Ferrari, Porcellane del Settecento, MI 1966, pp. 115, 117.]
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