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LOT 53

'White Christ', Andres Serrano

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Andres Serrano
b. 1950
'White Christ'

Cibachrome print, front-mounted to acrylic, signed, titled, dated, and editioned '1/4' in ink on the reverse, framed to the photographer's specifications, six gallery labels on the reverse, 1989
image: 60 by 40 in. (152.4 by 101.6 cm.)
frame: 65 by 45 in. (165.1 by 114.3 cm.)

Condition Report:
Please note the colors and shades in the online catalogue illustration may vary depending on screen settings. Although it has not been examined out of its frame as issued, this photograph appears to be in generally excellent condition. The colors remain bright and crisp with no apparent signs of fading. As is often the case with works front-mounted to acrylic, scattered faint hairline scratches, smudges, and fingerprints are visible when examining the acrylic surface closely. A few scattered deposits of original retouching are visible when examining the work very closely in high raking light. Affixed to or in a mylar envelope on the reverse of the frame are six labels from Mary Boone Gallery, New York; Paula Cooper Gallery, New York; Fay Gold Gallery, Atlanta; Stux Gallery, New York; The Galerie St. Etienne, New York; and an exhibition label with Japanese characters identifying Stux Gallery as lender. Please note that the Mary Boone Gallery label erroneously identifies the work as an artist's proof.

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Time, Location
28 Sep 2021
USA, New York, NY
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[ translate ]

Andres Serrano
b. 1950
'White Christ'

Cibachrome print, front-mounted to acrylic, signed, titled, dated, and editioned '1/4' in ink on the reverse, framed to the photographer's specifications, six gallery labels on the reverse, 1989
image: 60 by 40 in. (152.4 by 101.6 cm.)
frame: 65 by 45 in. (165.1 by 114.3 cm.)

Condition Report:
Please note the colors and shades in the online catalogue illustration may vary depending on screen settings. Although it has not been examined out of its frame as issued, this photograph appears to be in generally excellent condition. The colors remain bright and crisp with no apparent signs of fading. As is often the case with works front-mounted to acrylic, scattered faint hairline scratches, smudges, and fingerprints are visible when examining the acrylic surface closely. A few scattered deposits of original retouching are visible when examining the work very closely in high raking light. Affixed to or in a mylar envelope on the reverse of the frame are six labels from Mary Boone Gallery, New York; Paula Cooper Gallery, New York; Fay Gold Gallery, Atlanta; Stux Gallery, New York; The Galerie St. Etienne, New York; and an exhibition label with Japanese characters identifying Stux Gallery as lender. Please note that the Mary Boone Gallery label erroneously identifies the work as an artist's proof.

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
28 Sep 2021
USA, New York, NY
Auction House
Unlock