Yoan Capote (b. 1977), Isla (Eterno retorno)
Yoan Capote (b. 1977)
Isla (Eterno retorno)
signed, dated and titled 'CAP, 2015, ISLA (ETERNO RETORNO)' (on a metal label affixed to the reverse)
oil, nails and fish hooks on linen mounted on panel
45 x 65 1/8 x 2 ½ in. (114.3 x 165.4 x 6.4 cm.)
Painted in 2015.
Post Lot Text
1 Yoan Capote, quoted in Laila Pedro, “Yoan Capote,” The Brooklyn Rail (March 2017), https://brooklynrail.org/2017/03/art/Yoan-Capote-with-Laila-Pedro.
2 Ibid.
3 Ibid.
4 Capote, quoted in Susan Delson, “Fish Hook as Metaphor: Yoan Capote’s Palangre,” Cuban Art News, February 2, 2017, https://cubanartnews.org/2017/02/02/fish-hook-as-metaphor-yoan-capotes-palangre/.
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Yoan Capote (b. 1977)
Isla (Eterno retorno)
signed, dated and titled 'CAP, 2015, ISLA (ETERNO RETORNO)' (on a metal label affixed to the reverse)
oil, nails and fish hooks on linen mounted on panel
45 x 65 1/8 x 2 ½ in. (114.3 x 165.4 x 6.4 cm.)
Painted in 2015.
Post Lot Text
1 Yoan Capote, quoted in Laila Pedro, “Yoan Capote,” The Brooklyn Rail (March 2017), https://brooklynrail.org/2017/03/art/Yoan-Capote-with-Laila-Pedro.
2 Ibid.
3 Ibid.
4 Capote, quoted in Susan Delson, “Fish Hook as Metaphor: Yoan Capote’s Palangre,” Cuban Art News, February 2, 2017, https://cubanartnews.org/2017/02/02/fish-hook-as-metaphor-yoan-capotes-palangre/.