Day 1: Fine & Decorative (Lots 222-478)

17 Nov 2022  |  UK, London
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A Russian gilt-bronze and cloisonne enamel travelling icon, 1899-1908, maker's mark of Pavel Ovchinnikov, assay master and city marks indistinct, of rectangular form with shaped pediment, the icon depicting Saint George flanked by angels to the...

222: A Russian gilt-bronze and... Estimate: Login

A Russian travelling triptych icon, early 19th century, the central panel depicting the Last Supper, the Crucifixion and set with a crucifix flanked by Luke the Evangelist and John the Evangelist, the hinged doors with further saints, including St...

223: A Russian travelling triptych... Estimate: Login

A Russian silver oklad for the Bogolyubov Icon of the Mother of God, Moscow, 1832, assay master Nikolai Dubrovin, maker's mark indistinct, depicting the Mother of God in full-length making a gesture of supplication to Christ and opening a scroll...

224: A Russian silver oklad for the... Estimate: Login

A Russian icon of the Mother of God of Kazan, 19th century, unknown maker, Cyrillic S.G. to oklad, possibly St Petersburg, Christ raising his hand in benediction and the Mother of God leaning towards him, on wood panel with silver oklad with...

225: A Russian icon of the Mother... Estimate: Login

A Russian icon of the Mother of God, Joy to all who Grieve, second half 19th century, wood panel with parcel gilt background, the Mother of God stands at centre flanked by saints and people with various afflictions accompanied by angels, with white...

226: A Russian icon of the Mother... Estimate: Login

A Russian 17th century style icon of Solomon the King and Holy Prophet, late 19th/early 20th century, depicting Solomon in half-length wearing crown and with gilded halo holding his right hand in supplication and in his left holding a scroll, on a...

227: A Russian 17th century style... Estimate: Login

A Russian icon of St Sophia, the Wisdom of the Word of God, late 19th century, with St Sophia seated on a magnificent throne with outstretched wings, flanked by the Mother of God and St John the Baptist, above the circular glory an image of the...

228: A Russian icon of St Sophia... Estimate: Login

A Russian quadripartite icon with the Crucifixion, late 19th century, depicting the Mother of God Ovsepetyia, The Pokrov, The Mother of God of Kazan, and the Birth of the Mother of God, with seven saints and an angel on the borders, on parcel gilt...

229: A Russian quadripartite icon... Estimate: Login

An icon of the Korsunskaya Mother of God, circa 1800, the Mother of God embracing the infant Jesus to her cheek, with parcel gilt and polychrome decoration on wood panel with later sponki, 37.5cm x 30.5cm Provenance: The Geoffrey and Fay Elliot...

230: An icon of the Korsunskaya... Estimate: Login

A Russian icon of the Three Hierarchs of Orthodoxy, 1908-1926, marked with 84 standard, Moscow, maker Cyrillic S.G., the three Church Fathers, Basil the Great, Gregory the Theologian, and John Chrysostom, standing full-length wearing elaborately...

231: A Russian icon of the Three... Estimate: Login

Two Russian Orthodox brass and enamel hand-held blessing crosses, 19th century, 36cm and 37cm high (2) Provenance: Christie’s, London, 23 March 1994, lot 64. The Geoffrey and Fay Elliot collection.

232: Two Russian Orthodox brass and... Estimate: Login

A Greek (Mount Athos) double-sided boxwood cross, 18th century, carved in relief with the Baptism and Crucifixion, the extremities with Evangelists or Church Fathers, in an enamel and filigree setting, 11cm high Provenance: The Geoffrey and Fay...

233: A Greek (Mount Athos)... Estimate: Login

A pair of Greek polychrome decorated doors from an iconostas, early 19 century, the central scene depicting the Annunciation with the Archangel Gabriel and the Mother of God in an architectural setting, the shaped upper sections with Solomon and...

234: A pair of Greek polychrome... Estimate: Login

A North European polychrome and gilt carved oak group from The Lamentation, 18th century, one figure probably Mary Magdalene, on a later velvet covered plinth, 54cm high, 27cm wide, 11cm deep Provenance: The Geoffrey and Fay Elliot collection.

235: A North European polychrome... Estimate: Login

A pair of Italian carved wood models of seated lions, probably 17th century, 53cm high, 44cm long Provenance: with Robin Sanders. The Geoffrey and Fay Elliot collection.

236: A pair of Italian carved wood... Estimate: Login

A walnut architectural model of an architectural dome with cupola, 20th century, of domed form with temple finial and octagonal base with hinged door, 60cm high Provenance: The Geoffrey and Fay Elliot collection.

237: A walnut architectural model... Estimate: Login

A pair of modern Italian pietra dura obelisks, inlaid with various stones including lapis lazuli, malachite, banded agate, rose quartz and tiger's eye, one with maker's label R. Romanelli, Florence, 41cm high (2) Provenance: The Geoffrey and Fay...

238: A pair of modern Italian... Estimate: Login

An Italian bronze horse's head, after the Horses of Saint Mark, Venice, early 20th century, on an associated oval marble base, 31cm high Provenance: The Geoffrey and Fay Elliot collection.

239: An Italian bronze horse's... Estimate: Login

An Italian bronze model of Jupiter's head, after the antique, possibly Neapolitan, early 20th century, with pierced eyes and mouth and with a headband to his hair, on Perspex stand, approx. 28cm high, total height 39cm high including stand...

240: An Italian bronze model of... Estimate: Login

A pair of French bronze busts of children, late 19th century, each on a rouge griotte marble plinth, 25cm high (2) Provenance: with Barnet Antiques, 1980. The Geoffrey and Fay Elliot collection.

241: A pair of French bronze busts... Estimate: Login

A Continental white marble bust of a young lady, early 20th century, unsigned, on a breche violette marble plinth, 55cm high overall Provenance: Sotheby’s, 1986. The Geoffrey and Fay Elliot collection.

242: A Continental white marble... Estimate: Login

William Brodie R.S.A. Scottish, 1815-1881, a carved white marble bust of a lady, possibly of Shakespearean actress Ellen Terry, 1847-1928, on socle base, signed and dated to reverse W. BRODIE R.S.A 1880, approx. 68m high Provenance: The Geoffrey...

243: William Brodie R.S.A... Estimate: Login

An American Folk Art stone carving of a recumbent sheep, c.1825, the rectangular integral base inscribed 1795, 9cm high, 13cm wide, 4cm deep Provenance: Acquired from F. Barrie Freeman Antiques Quaker Point Farm, Maine, 1989. The Geoffrey and Fay...

244: An American Folk Art stone... Estimate: Login

A group of six Inuit soapstone carvings, late 20th century, comprising: three birds, a figure and bird, a head and a bear, 16cm high and smaller; together with a green hardstone model of an elephant, 3.7cm high (7) Provenance: The Geoffrey and Fay...

245: A group of six Inuit soapstone... Estimate: Login

An American Shaker maple dressing table mirror, late 19th century, with single drawer, 46cm high, 30cm wide, 18cm deep Provenance: With William Smith, Vermont. The Geoffrey and Fay Elliot collection.

246: An American Shaker maple... Estimate: Login

Three George III Staffordshire enamel patch boxes, late 18th century, the lids inscribed: True Friendship Comes From above; Have Communion with few, Be familiar with one, Deal justly with all, Speak evil of none; Though absent not forgotten, 4.3cm...

247: Three George III Staffordshire... Estimate: Login

A William and Mary needlework picture, late 17th century, depicting a shepherdess holding a crook with her flock, another figure seated on a tree stump, beneath two fruiting trees, later mounted and framed, 44 x 45cm Provenance: The Geoffrey and...

248: A William and Mary needlework... Estimate: Login

A Charles II silk embroidered panel, c.1660-70, with a courting couple walking two dogs, surrounded by Cupid to the right side, a parrot to the left, a carnation, sun, church and houses, in a later frame, 16.5 cm x 23cm Provenance: With Avon...

249: A Charles II silk embroidered... Estimate: Login

A Charles II beadwork panel, c.1660-70, depicting a courting couple beneath initials S A, surrounded by two mythical beasts, a stag, leopard and floral sprays, within an intricate border, late wire and silk-work mount and glazed walnut frame, 22 x...

250: A Charles II beadwork panel... Estimate: Login

A Charles II beadwork picture, c.1660-70, depicting the meeting of King Solomon and the Queen of Sheba, the standing King beneath a canopy with attendant receiving the Queen, her attendants carrying her train, surrounded by various animals...

251: A Charles II beadwork picture... Estimate: Login

A Charles II silk embroidered panel, c.1660-70, with central oval cartouche of a pastoral scene with two figures holding crooks, a well to the right and a church in the distance, the surround worked in wire threads with exotic animals, birds and...

252: A Charles II silk embroidered... Estimate: Login

A Pakistani Bokhara red ground carpet, mid 20th century, with central repeating gull motifs, on a red ground, contained repeating borders, 360cm x 302cm Provenance: The Geoffrey and Fay Elliot collection.

253: A Pakistani Bokhara red ground... Estimate: Login

A Queen Anne walnut bureau, the fall front enclosing arrangement of pigeon holes and drawers, above three graduated drawers, raised on squat bun feet, 100cm high, 95cm wide, 53cm deep Provenance: Dick Fredericks, 1991. The Geoffrey and Fay Elliot...

254: A Queen Anne walnut bureau... Estimate: Login

A Queen Anne walnut open arm elbow chair, c.1710, with vase shaped central splat and shepherd’s crook arms, on cabriole legs united by an ‘H’ stretcher Provenance: The Geoffrey and Fay Elliot collection.

255: A Queen Anne walnut open arm... Estimate: Login

A rare pair of George III satinwood and marquetry inlaid cabinets, the burr walnut crossbanded top above single cupboard door inlaid with central fan patera and harebells to border, enclosing three adjustable shelves, the base section with two...

256: A rare pair of George III... Estimate: Login

A pair of George III mahogany side chairs, in the manner of Chippendale, with pierced central splat above drop in seat on square front legs (2) Provenance: The Geoffrey and Fay Elliot collection.

257: A pair of George III mahogany... Estimate: Login

A large Regency style mahogany roll top bureau, early 20th century, ebony strung, the galleried rectangular top above tambour roll front, enclosing drawers and pigeons holes and tooled leather skiver, above five drawers and two brush slides, raised...

258: A large Regency style mahogany... Estimate: Login

A William IV rosewood library table, the rectangular top above two frieze drawers and two dummy drawers, raised on pierced volute trestle supports to carved paw feet, 73cm high, 122cm wide, 61cm deep Provenance: Peter Jones, London, January 1995...

259: A William IV rosewood library... Estimate: Login

A William IV mahogany open arm elbow chair, with carved floral back rail, above drop in seat, raised on turned reeded front legs Provenance: Peter Jones, London, January 1995. The Geoffrey and Fay Elliot collection.

260: A William IV mahogany open arm... Estimate: Login

A Victorian Gothic revival style gilt and ebonized framed mirror, late 20th century, with fleur de lys pediment above reeded corinthian columns, stamped Carol Canner, 1994, for carvers guild, 169cm x 68cm Provenance: The Geoffrey and Fay Elliot...

261: A Victorian Gothic revival... Estimate: Login

A Victorian parcel gilt yew wood sectional mirror, with egg and dart border, 51cm x 112cm Provenance: The Geoffrey and Fay Elliot collection.

262: A Victorian parcel gilt yew... Estimate: Login

An Edwardian mahogany and satinwood crossbanded cylinder bureau, the rectangular top with broken swan neck pediment, above roll top enclosing pigeon holes and central drawer above pull out writing surface, raised on square tapering supports to...

263: An Edwardian mahogany and... Estimate: Login

A Venetian style shield shaped wall mirror, late 20th century, with floral etched beveled border and central bevelled plate, 101cm x 70cm Provenance: The Geoffrey and Fay Elliot collection.

264: A Venetian style shield shaped... Estimate: Login

A French giltwood mirror, 18th century style, the bevelled plate beneath ribbon cresting, with label and stamped Carvers Guild, 90cm x 72cm Provenance: The Geoffrey and Fay Elliot collection.

265: A French giltwood mirror, 18th... Estimate: Login

A French gilt bronze fire screen, late 19th century, with foliate scroll border set with a cherub cartouche, 71cm x 66cm Provenance: The Geoffrey and Fay Elliot collection.

266: A French gilt bronze fire... Estimate: Login

A Napoleon III ebonised liqueur cabinet, probably by Paul Sormani, third quarter 19th century, the hinged cover and sides enclosing a lift-out calamander stand with gilt-bronze carrying handle, with four later glasses, the lockplate etched Rue...

267: A Napoleon III ebonised... Estimate: Login

Jan Jansson, Dutch, 1588-1664, Mappa Aestivarum Insularum, Alias Barmudas Dictarum, ad Ostia Mexicani Aestuary Jacetium...; a later hand-coloured engraved map of Bermuda, a reissue of the Hondius plate, from the Atlas Novus sive Theatrum Orbis...

268: Jan Jansson, Dutch, 1588-1664... Estimate: Login

A French singing bird automaton, almost certainly by Bontems, c.1900, the bird with applied feathers and moving head, under a gilt-brass case on giltwood, going-barrel movement and birdsong, base, 50cm high, 24cm square at base Provenance: The...

269: A French singing bird... Estimate: Login

A collection of sixteen Herend porcelain figures, late 20th/21st century, printed blue marks to underside, decorated in scale pattern in various colour ways, to include a large figure of an owl standing on a pile of books, 28.5cm high; a peacock in...

270: A collection of sixteen Herend... Estimate: Login

A large Herend porcelain figure, ‘Esmeralda’, late 20th/21st century, modelled wearing a long, hooded robe decorated with hexagonal panels of flora and fauna, applied paper label to underside F1 No.35, 88cm high Provenance: With Bluck’s of...

271: A large Herend porcelain... Estimate: Login

Works of Art from the Schroder Collection (lots 152-178 (Silver) and 272-331)  The Schroder family came to England from Hamburg in the late eighteenth century and became amongst the most successful of Europe’s merchant bankers. Johann Friedrich...

272: Works of Art from the Schroder... Estimate: Login

A Sevres porcelain bleu nouveau-ground cup (gobelet litron) and a Sèvres porcelain green-ground saucer, c.1760-76, the cup with blue foliate interlaced Ls enclosing date letter Y for 1776 above painter’s mark of five dots for Jacques Fontaine...

273: A Sevres porcelain bleu... Estimate: Login

A pair of Sevres-style gilt-bronze mounted pot-pourri vases and covers, late 19th century, the bodies decorated with children in continuous landscapes at various activities including harvesting, watering and a riding goat, the blue-ground...

274: A pair of Sevres-style... Estimate: Login

A Meissen composite part dessert service, late 19th century, hand-painted with blossoming flowers and butterflies and with alternating reticulated lattice and cartouche borders, comprising: four two-tiered cake stands, two surmounted by a figural...

275: A Meissen composite part... Estimate: Login

A pair of Meissen porcelain figural sweetmeat baskets, late 19th century, blue crossed swords marks, incised numerals, black 43. marks, modelled as a young man and a young woman reclining by large oval pierced baskets, on plinth bases edged with...

276: A pair of Meissen porcelain... Estimate: Login

A Meissen porcelain mantel clock case, late 19th century, of architectural form, encrusted with a garland of flowers and oak leaf swags, with a pair of billing doves nesting atop a pierced neck surrounded by four flower finials, with a Cupid seated...

277: A Meissen porcelain mantel... Estimate: Login

Two Meissen porcelain figures of musicians, c.1755, the decoration probably later, each playing a lute, seated on a tree-stump with a dog at their feet, on rococo scroll-moulded mound bases applied with flowers and foliage, 19.6cm and 20cm high (2)...

278: Two Meissen porcelain figures... Estimate: Login

A Meissen porcelain group emblematic of the Four Seasons, late 19th century, blue crossed swords mark, incised mark, modelled with putti representing the Seasons, Spring garlanded with flowers embracing Summer, holding a wheat sheaf, a partridge...

279: A Meissen porcelain group... Estimate: Login

A Meissen porcelain figure of a girl dancing, c.1755, blue crossed swords mark to back of base, Pressnummer 10, modelled in dancing pose, holding her flowered apron in her hands, wearing a puce-edged yellow jacket, on a gilt-edged rococo...

280: A Meissen porcelain figure of... Estimate: Login

A Meissen porcelain chinoiserie group, c.1750-55, blue crossed swords mark, impressed | mark, modelled by P. Reinicke, with a couple seated before a pierced rococo arbour applied with meandering flowering branches, at discussion and holding a...

281: A Meissen porcelain... Estimate: Login

A pair of Hochst pot à jus or Creme Topfchen, c.1755, red wheel marks, painted in purpurmalerei with landscape vignettes on rococo scroll supports, with scrolling branch handles, 5cm high (2) Provenance: Works of Art from the Schroder Collection...

282: A pair of Hochst pot à jus or... Estimate: Login

A Hochst porcelain group of Der gestörte Schlummer (The Disturbed Slumber), c.1770, blue wheel mark, modelled by J.P. Melchior, with a young girl sleeping, a bowl with teawares and an etui beside her, two boys looking over her, one leaning forward...

283: A Hochst porcelain group of... Estimate: Login

A Hochst porcelain group of Der Berkrantze Schlafer, c.1770, blue wheel mark, modelled by J.P. Melchior, with a sleeping farm boy, a dog beside him and a shepherdess leaning over him to garland his head with flowers, her hoe and satchel nearby, a...

284: A Hochst porcelain group of... Estimate: Login

A German porcelain figure of a Bauermadchen (Peasant girl), possibly Hochst, possibly c.1770, crowned blue wheel mark, modelled as a young girl wearing a yellow and red bodice standing with her right arm pointing, on a grassy rocky mound base...

285: A German porcelain figure of a... Estimate: Login

A German porcelain figure of Die verschuttete Milch (The Spilled Milk), probably Hochst, probably c.1775, blue wheel mark, impressed monogram, modelled standing, crying and rubbing her eye, a pot of spilt milk at her feet, on a grassy rocky mound...

286: A German porcelain figure of... Estimate: Login

Two German porcelain figures of the Madchen mit flatterndem (girl with a fluttering dress) and the Lauschender Knabe (listening boy), possibly Hochst, possibly c.1770, blue wheel mark to girl, crowned blue wheel mark to boy, incised marks, the girl...

287: Two German porcelain figures... Estimate: Login

A Hochst porcelain white group of Fangespiel (Playing Tag), c.1770, blue wheel mark, incised mark, modelled by J.P. Melchior, with a young girl and a young boy playing tag, on a grassy rocky mound base, 14.6 cm. high Provenance: Works of Art from...

288: A Hochst porcelain white group... Estimate: Login

A Hochst porcelain group of Kinder mit Vogelneßt (Children with a Bird’s Nest) and the Flotenunterricht (Flute Lesson), circa 1785, blue wheel and incised marks, the first group with a young girl holding a bird’s nest, a boy with his arm...

289: A Hochst porcelain group of... Estimate: Login

A Ludwigsburg porcelain figure emblematic of Winter, c.1765, blue crowed interlaced C mark, incised mark, modelled by Joseph Nees, wearing a turban and fur-lined green cloak, his right hand in a muff, standing on a gilt-edged scroll-moulded mound...

290: A Ludwigsburg porcelain figure... Estimate: Login

A pair of Berlin (KPM) porcelain white figures emblematic of Air and Earth from a Series of the Elements, late 19th century or later, blue sceptre marks, impressed marks to Earth, after the original models by Friedrich Elias Meyer, Air modelled as...

291: A pair of Berlin (KPM)... Estimate: Login

Seven Amstel porcelain teabowls, c.1785, blue script marks and incised marks, painted with pastoral vignettes with figures at various pursuits in landscapes with trees, monuments, buildings, livestock and ruins below elaborate gilt borders, the...

292: Seven Amstel porcelain... Estimate: Login

A pair of Bow porcelain figures emblematic of Liberty and Matrimony, c.1765, iron red anchor and dagger marks, each modelled standing before bocage, Liberty as a gentleman holding a nest of birds, Matrimony as a lady holding a birdcage, on pierced...

293: A pair of Bow porcelain... Estimate: Login

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