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LOT 0063B

12th C. Chinese Song Dynasty Jun Ware Pottery Dish

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East Asia, China, Song Dynasty, ca. 1127 to 1279 CE. A stunning ceramic dish presenting a ring-form foot, a shallow basin, and a flared rim, all enveloped in a lustrous glaze of gorgeous hues of violet, lavender, periwinkle, and light blue. The colors swirl dreamily across the vessel, beautifully complementing its elegant form. The celadon gains its blue color from the use of straw ash; this was created in the Jun kilns of Yuzhou City. Varying the temperature in kilns, a technique known as Yacoubian, changes the color greatly. The most prized examples, like this one, have crimson and purple splashes. The unglazed foot gives the bowl its date; during the Song Dynasty, before this was made, the foot would also have been glazed. Archaeological excavations in the 1950s and 1960s in Yuzhou City revealed over a hundred kilns, all involved in the production of these beautiful pieces. Size: 13.875" in diameter x 2.375" H (35.2 cm x 6 cm)

Bowls like this were some of China's most important exports during the Song period and were widely imitated in Korea and Japan. The body was thrown on a potter's wheel and the color of the glaze that covers all but its foot comes from iron oxides fired in a reducing atmosphere. These objects were fired in "dragon kilns," long brick tunnels that rose up a slope, to provide slow and even heating. Archaeologists estimate that up to 25,000 vessels would be made at once in the largest of these kilns! The market for bowls like these were the scholar-gentleman class, sometimes known as the literati; these were made for everyday use, religious ceremonies (placing offerings on altars, for example), and sometimes were buried with their owners. Their beauty spawned legends; for example, the few that made their way to Europe were sometimes turned into goblets with the aid of metal components because of a belief that their glaze would change color in the presence of poison.

Provenance: private Morrison, Colorado, USA collection, acquired 2011;ex- private New England estate, USA, before 2001

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.

Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.

#166045
Condition Report: Miniscule nick to rim and small abrasion to base. Otherwise, intact and excellent.

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[ translate ]

East Asia, China, Song Dynasty, ca. 1127 to 1279 CE. A stunning ceramic dish presenting a ring-form foot, a shallow basin, and a flared rim, all enveloped in a lustrous glaze of gorgeous hues of violet, lavender, periwinkle, and light blue. The colors swirl dreamily across the vessel, beautifully complementing its elegant form. The celadon gains its blue color from the use of straw ash; this was created in the Jun kilns of Yuzhou City. Varying the temperature in kilns, a technique known as Yacoubian, changes the color greatly. The most prized examples, like this one, have crimson and purple splashes. The unglazed foot gives the bowl its date; during the Song Dynasty, before this was made, the foot would also have been glazed. Archaeological excavations in the 1950s and 1960s in Yuzhou City revealed over a hundred kilns, all involved in the production of these beautiful pieces. Size: 13.875" in diameter x 2.375" H (35.2 cm x 6 cm)

Bowls like this were some of China's most important exports during the Song period and were widely imitated in Korea and Japan. The body was thrown on a potter's wheel and the color of the glaze that covers all but its foot comes from iron oxides fired in a reducing atmosphere. These objects were fired in "dragon kilns," long brick tunnels that rose up a slope, to provide slow and even heating. Archaeologists estimate that up to 25,000 vessels would be made at once in the largest of these kilns! The market for bowls like these were the scholar-gentleman class, sometimes known as the literati; these were made for everyday use, religious ceremonies (placing offerings on altars, for example), and sometimes were buried with their owners. Their beauty spawned legends; for example, the few that made their way to Europe were sometimes turned into goblets with the aid of metal components because of a belief that their glaze would change color in the presence of poison.

Provenance: private Morrison, Colorado, USA collection, acquired 2011;ex- private New England estate, USA, before 2001

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.

Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.

#166045
Condition Report: Miniscule nick to rim and small abrasion to base. Otherwise, intact and excellent.

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
03 Feb 2022
USA, Louisville, CO
Auction House
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View it on