A COLLECTION OF REFERENCE BOOKS ON JAPANESE UKIYO-E

A COLLECTION OF REFERENCE BOOKS ON JAPANESE UKIYO-E
日本浮世繪藝術參考書籍一組約50本

Including but not limited to:

1. Yonemura, Ann. Yokohama: Prints from Nineteenth-Century Japan. Arthur M. Sackler Gallery. Washington DC: Smithsonian Institution, 1990.
2. The 7th International Biennial Exhibition of Prints in Tokyo. Tokyo: The National Museum of Modern Art, 10 December 1970.
3. Keyes, Roger. Surimono: Privately Published Japanese Prints in The Spencer Museum of Art. Tokyo: Kodansha International, 1984.
4. Highly Important Japanese Prints, Illustrated Books, Drawings and Paintings from the Henri Vever Colllection: Part III. London: Sotheby Parke Bernet, 24 March 1977.
5. Pins, Jacob. The Jacob Pins Collection of Japanese Prints, Paintings, and Sculptures. Jerusalem: The Israel Museum, 1994.
6. Keyes, Roger. The Male Journey in Japanese Prints. Berkeley: University of California Press, 1989.
7. Hiller, Jack. Japanese Prints & Drawings from the Vever Collection. London: Sotheby Parke Bernet, 1976. Three volumes.
8. Herwig, Arendie & Henk. Heroes of the Kabuki Stage. Amsterdam: Hotei Publishing, 2004.
9. Clark, Timothy et al. The Dawn of the Floating World. London: Royal Academy of Arts, 2001.
10. Meech, Julia. Frank Lloyd Wright and the Art of Japan. Japan Society. New York: Harry N. Abrams, 2001.
11. Mirviss, Joan B and Carpenter, John T. The Frank Lloyd Wright Collection of Surimono. Phoenix Art Museum. New York: Weatherhill, 1995.
12. Yonemura, Ann. Masterful Illusions: Japanese Prints in the Anne van Biema Collection. The Arthur M. Sackler Gallery. Washington DC: Smithsonian Institution, 2002.
13. The Female Image: 20th Century of Japanese Beauties. Leiden: Hotei Publishing, 2000.
14. Reigle Newland, Amy et al. Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945, Japanese Prints from the Jan Perree Collection. Leiden: Hotei Publishing, 2001.
15. Tolman, Mary & Norman. Collecting Modern Japanese Prints: Then & Now. Rutland, Vermont: Charles E. Tuttle Company, 1994.
16. Hockley, Allen. Inside the Floating World: Japanese Prints from the Lenior C. Wright Collection. Weatherspoon Art Museum, University of North Carolina at Greensboro. Seattle: University of Washington Press, 2003.
17. Sumo-Heavyweight Art: Woodblock Color Prints from the Collection of Goran Flyxe, Stockholm. Haifa Museum. The Tikotin Museum of Japanese Art, 1997.
18. Messenger, Jane. Japanese Prints: Images From the Floating World- The Brian and Barbara Crisp Collection. Adelaide: Art Gallery of South Australia, 2004.
19. The Ear Catches the Eye: Music in Japanese Prints. Leiden: Hotei Publishing, 2000.
20. Webber, Lucille R. Japanese Woodblock Prints: The Reciprocal Influence between East and West. Provo, Utah: Brigham Young University Press, 1979.
21. Smith, Lawrence. Japanese Prints During The Allied Occupation 1945-1952. London: British Museum Press, 2002.
22. Volk, Alicia. Made In Japan: The Postwar Creative Print Movement. Milwaukee Art Museum. Seattle: University of Washington Press, 2005.
23. Putney, Carolyn M. et al. Fresh Impression: Early Modern Japanese Prints. Seattle: University of Washington Press, 2014.
24. Ficker, Arthur Davison. Chats on Japanese Prints. Rutland, Vermont: Charles E. Tuttle, 1958.
25. Uhlenbeck, G.C. The Poetic Image: The Fine Art of Surimono. Leiden: Hotei Publishing, 9-30 May 1987.
26. Hockley, Allen. The Prints of Isoda Koryusai: Floating World Culture and Its Consumers in Eighteenth-Century Japan. Seattle: University of Washington Press, 2003.
27. Klompmakers, Inge. Japanese Erotic Prints Shunga by Harunobu & Koryusai. Leiden: Hotei Publishing, 2001.
28. Poetry & Image in Japanese Prints. Leiden: Hotei Publishing, 2000.
29. Till, Barry. The 47 Ronin: A Story of Samurai Loyalty and Courage. San Francisco: Pomegranate, 2005.
30. Munsterberg, Hugo. The Japanese Print: A Historical Guide. New York: Weatherhill, 1982.
31. Highlights of Japanese Printmaking Part 1. New York: Scholten Japanese Art, 2005.
32. Smith, Lawrence. Contemporary Japanese Prints: Symbols of a Society in Transition. London: British Museum Publications, 1985.
33. Bowie, Theodore. Art of the Surimono. Indiana University Art Museum, 1979.
34. Narazaki, Muneshige. Masterworks of Ukiyo-e: Studies in Nature- Hokusai/Hiroshige. Tokyo: Kodansha Internation, 1970.
35. Davis, Julie Nelson. Utamaro and The Spectacle of Beauty. London: Reaktion Books, 2007.
36. Merritt, Helen. Modern Japanese Woodblock Prints: The Early Years. Honolulu: University of Hawaii Press, 1990.
37. Merritt, Helen and Yamada, Nanako. Guide to Modern Japanese Woodblock Prints: 1900-1975. Honolulu: University of Hawaii Press, 1992.
38. Merritt, Helen and Yamada, Nanako. Woodblock Kuchi-e Prints: Reflections of Meiji Culture. Honolulu: University of Hawaii Press, 2000.
39. Meech-Pekarik, Julia. The World of the Meiji Print: Impressions of a New Civilization. New York: Weatherhill, 1986.
40. Foxwell, Chelsea et al. Awash in Color: French and Japanese Prints. Smart Museum of Art, University of Chicago, 2012.
41. Segawa Seigle, Cecilia et al. A Courtesan's Day: Hour by Hour. Amsterdam: Hotei Publishing, 2004.
42. Hillier, Jack. The Art of Hokusai in Book Illustration. London: Sotheby Parke Bernet, 1980.
43. Breuer, Karin. Japanesque: The Japanese Print in the Era of Impressionism. Fine Arts Museum of San Francisco. Munich: Prestel Verlag, 2010.
44. Till, Barry. Shiu Hanga: The New Print Movement of Japan. Petaluma, CA: Pomegranate Communications, 2007.
45. Smith, Lawrence. Ukiyoe: Images of Unknown Japan. London: British Museum Publications, 1988.
46. Mueller, Laura J. Strong Women Beautiful Men: Japanese Portrait Prints from the Toledo Museum of Art. Amsterdam: Hotei Publishing, 2005.
47. Stevenson, John. Japanese Kite Prints. Seattle: The Drachen Foundation, 2004.
48. Jenkins, Donald. The Floating World Revisited. Portland Art Museum. Honolulu: University of Hawaii Press, 1993.
49. Schwaab, Dean J. Osaka Prints. New York: Rizzoli International, 1989.

This lot will be sold as a collection and not subject to return.

此拍品恕不設退款。