A COMPOSITE SOLID-BODY ELECTRIC GUITAR, STRATOCASTER FENDER ELECTRIC INSTRUMENT COMPANY,...
A COMPOSITE SOLID-BODY ELECTRIC GUITAR, STRATOCASTER
FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, CALIFORNIA, THE BODY 1963, THE NECK 1965
The decal logo Fender STRATOCASTER / WITH SYNCHRONIZED TREMOLO / PAT 2,573,254 2,741,146 2,960,900 3,143,028 and ORIGINAL / Contour / Body / Pat Pen at the headstock, the neckplate stamped L18065, the body of alder, the maple neck with Brazilian rosewood fingerboard and white dot inlay, of Lake Placid Blue finish, fitted with a tremolo bar, together with a Fender hardshell case and a copy of Guitar Player magazine, January 1990, featuring Johnny Marr with this guitar on the cover
Length of body: 15 ¾ in. (40 cm.)
Provenance
J. Gore, ‘Johnny Marr’, Guitar Player, January 1990, illus. cover, pp. 4, 69, 80.
D. Von Bader, ‘Johnny Marr’s Mancunian Charm’, Premier Guitar, September 2018, p. 61.
J. Marr, Marr’s Guitars, Thames & Hudson, London, 2023, pp. 116-117, 130-135, 285.
Literature
REFERENCES:
M. Leonard, ‘This Chiming Man’, The Guitar Magazine, January 1997, pp. 24-33.
J. Marr, Set The Boy Free, Century, London, 2016, p. 263.
J. Marr, Marr’s Guitars, Thames & Hudson, London, 2023, p. 113.
A COMPOSITE SOLID-BODY ELECTRIC GUITAR, STRATOCASTER
FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, CALIFORNIA, THE BODY 1963, THE NECK 1965
The decal logo Fender STRATOCASTER / WITH SYNCHRONIZED TREMOLO / PAT 2,573,254 2,741,146 2,960,900 3,143,028 and ORIGINAL / Contour / Body / Pat Pen at the headstock, the neckplate stamped L18065, the body of alder, the maple neck with Brazilian rosewood fingerboard and white dot inlay, of Lake Placid Blue finish, fitted with a tremolo bar, together with a Fender hardshell case and a copy of Guitar Player magazine, January 1990, featuring Johnny Marr with this guitar on the cover
Length of body: 15 ¾ in. (40 cm.)
Provenance
J. Gore, ‘Johnny Marr’, Guitar Player, January 1990, illus. cover, pp. 4, 69, 80.
D. Von Bader, ‘Johnny Marr’s Mancunian Charm’, Premier Guitar, September 2018, p. 61.
J. Marr, Marr’s Guitars, Thames & Hudson, London, 2023, pp. 116-117, 130-135, 285.
Literature
REFERENCES:
M. Leonard, ‘This Chiming Man’, The Guitar Magazine, January 1997, pp. 24-33.
J. Marr, Set The Boy Free, Century, London, 2016, p. 263.
J. Marr, Marr’s Guitars, Thames & Hudson, London, 2023, p. 113.
