A George V Silver Caster by Henry George Murphy, London, 1933, With Falcon Studios Mark
in the Art Deco style, tapering cylindrical and on spreading foot, overall engraved with angular ornament, the bayonet-mounted cover with baluster finial; Together With a similar salt-cellar, maker's mark H&Sn, overstriking another, London, 1933 the caster 12.5cm high, the salt-cellar 72mm diameter, total weight 7oz 19dwt, 248gr (2) Paul Atterbury and John Benjamin describe the years after 1932 as 'a highly productive period [for Murphy]' and '... [a] period defined by a significant change in style, particularly in the field of silversmithing, with a new emphasis on line engraving and the modernist and geometric forms of Art Deco...' (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 30), which is certainly an apt description of the present caster. It has seemingly not been determined who was responsible for the engraving on these type of objects but George Taylor Friend, an accomplished engraver, was certainly known to not only be a friend of Murphy but also to have undertaken engraving work for him. It is interesting to see a very similar example in a photograph of a display of Murphy's silver taken in the 1930s at the Red Rose Guild, Manchester (op. cit, p. 32). A nearly identical, though slightly later, example of the same model was sold at Woolley and Wallis, 30 April 2008, lot 800.
Each piece fully marked underneath. The caster further part-maked on cover bezel and stamped underneath with Falcon studio mark. The marks are generally clear. There is some minor surface scratching and wear, consistent with age and use. There are some bruises to the sides of the salt-cellar. We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated. Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession. We accept no liability for the opinions expressed in any Condition Report.
Bid on this lot
in the Art Deco style, tapering cylindrical and on spreading foot, overall engraved with angular ornament, the bayonet-mounted cover with baluster finial; Together With a similar salt-cellar, maker's mark H&Sn, overstriking another, London, 1933 the caster 12.5cm high, the salt-cellar 72mm diameter, total weight 7oz 19dwt, 248gr (2) Paul Atterbury and John Benjamin describe the years after 1932 as 'a highly productive period [for Murphy]' and '... [a] period defined by a significant change in style, particularly in the field of silversmithing, with a new emphasis on line engraving and the modernist and geometric forms of Art Deco...' (P. Atterbury and J. Benjamin, Arts and Crafts to Art Deco The Jewellery and Silver of H. G. Murphy, Woodbridge, 2005, p. 30), which is certainly an apt description of the present caster. It has seemingly not been determined who was responsible for the engraving on these type of objects but George Taylor Friend, an accomplished engraver, was certainly known to not only be a friend of Murphy but also to have undertaken engraving work for him. It is interesting to see a very similar example in a photograph of a display of Murphy's silver taken in the 1930s at the Red Rose Guild, Manchester (op. cit, p. 32). A nearly identical, though slightly later, example of the same model was sold at Woolley and Wallis, 30 April 2008, lot 800.
Each piece fully marked underneath. The caster further part-maked on cover bezel and stamped underneath with Falcon studio mark. The marks are generally clear. There is some minor surface scratching and wear, consistent with age and use. There are some bruises to the sides of the salt-cellar. We are happy to provide Condition Reports to prospective buyers, but would welcome your request as soon as possible, preferably at least 48 hours before the Day of Sale. We cannot guarantee a reply to any requests made within 48 hours of the start of the auction. The absence of a Condition Report from a lot does not mean that the lot is in perfect condition. A Condition Report is an honest expression of our opinion, not a statement of fact and is provided as a service to the seller. All lots are available on public view ahead of an auction and we encourage prospective buyers to inspect an item in person where possible. Our Condition Reports are not prepared by professional conservators, restorers, or engineers, and are prepared with the naked eye unless otherwise stated. Regarding Pictures, Prints and Works on Paper, works are not examined out of the frame, unless specifically stated. Tennants Auctioneers do not cover damage to gilded wood or plaster picture frames, or to picture frame glass whilst the item is in our possession. We accept no liability for the opinions expressed in any Condition Report.
