A Kashan turquoise-glazed silhouette-ware jug, Persia, 12th/13th century
the fritware body of baluster form with narrow foot, straight cylindrical neck, and attached strap handle, decorated in black slip with a turquoise glaze, the body with an inscription-like floral decoration, with geometric motifs below and a hatched pattern on rim
17cm. height
Condition Report:
In overall good condition, with a small open crack to the bottom of the body, with some surface abrasion, particularly around the foot resulting in some loss of glaze, and on the shoulder, minor cracks to rim, as viewed.
Catalogue Note:
Silhouette-wares appear to be the earliest stone-paste Persian ceramics with underglaze decoration. The technique involved covering the vessel in a black slip that would be carved away to reveal the white body beneath, its impact related to the stark contrast of the bold motifs with little detailing against the light ground (Grube 1994, p.151). Like the present example, the body would sometimes then be covered in a transparent turquoise glaze. Experimentations in the technique of silhouette-ware are understood to have led to the fully flourished tradition of underglaze painting around 1200 which was key for the Seljuqs to achieve their full pictorial ambitions in pottery (Watson 1978, Watson 2004, p.333, and Grube 1994, p.155-6).
The decorative frieze around the body of the jug is closely comparable to an example in the Sarikhani collection, see Watson 2020, p.293, no.146). The pseudo-calligraphic floral band that also features on the present lot is thought to contain the word ‘al-durr’ (achievement).
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the fritware body of baluster form with narrow foot, straight cylindrical neck, and attached strap handle, decorated in black slip with a turquoise glaze, the body with an inscription-like floral decoration, with geometric motifs below and a hatched pattern on rim
17cm. height
Condition Report:
In overall good condition, with a small open crack to the bottom of the body, with some surface abrasion, particularly around the foot resulting in some loss of glaze, and on the shoulder, minor cracks to rim, as viewed.
Catalogue Note:
Silhouette-wares appear to be the earliest stone-paste Persian ceramics with underglaze decoration. The technique involved covering the vessel in a black slip that would be carved away to reveal the white body beneath, its impact related to the stark contrast of the bold motifs with little detailing against the light ground (Grube 1994, p.151). Like the present example, the body would sometimes then be covered in a transparent turquoise glaze. Experimentations in the technique of silhouette-ware are understood to have led to the fully flourished tradition of underglaze painting around 1200 which was key for the Seljuqs to achieve their full pictorial ambitions in pottery (Watson 1978, Watson 2004, p.333, and Grube 1994, p.155-6).
The decorative frieze around the body of the jug is closely comparable to an example in the Sarikhani collection, see Watson 2020, p.293, no.146). The pseudo-calligraphic floral band that also features on the present lot is thought to contain the word ‘al-durr’ (achievement).
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Time, Location
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