A RUBY AND DIAMOND BRACELET, BY PÉRY & FILS Of openwork des...
Estimate
€5,000 - €6,000
A RUBY AND DIAMOND BRACELET, BY PÉRY & FILS Of openwork design, composed of flowerheads throughout, each centring a brilliant-cut diamond or circular-cut ruby, mounted in 18K gold and platinum, with maker's mark 'P&Fils' for Péry & Fils, signed 'Chaussé.Oran', French assay marks, length 17.7cm Maison Péry was established in 1875 by Lucien Péry, whose elegant gold chains attracted the attention of the jewellers housed in the place Vendome. The company was run by four generations of Péry's, from Lucien’s son Albert to his grandson Bernard who was the father of the great Brigitte Péry who went on to manage the business for four decades. Albert's work at during the first half of the 20th century was prolific, producing new designs almost every week. However, when the WWII broke out, Albert was taken prisoner and the workshop was closed for six years. Once the conflict ended, the production started again slowly, increasing in the 1950s, during which time Péry created some of Van Cleef & Arpels’s most iconic pieces, including the Domino jewellery sets and Ludo bracelets. Bernard Péry began to make connections with other jewellery houses and started collaborations, first with Paolo Bulgari, which lasted for two decades, followed by Cartier, Boucheron, Mauboussin, Templier and Tiffany. Indeed, it seems there is no major jewellery house of the 20th century the Péry workshops did not produce for. Bernard’s daughter Brigitte was of similar business acumen and when she took over, she continued to pursue this strategy. Amongst her collaborators were Graff, Dior, Fabergé and Mikimoto. In 2008 she launched a large-scale training program for the workshops in order to promote innovation and modernise the production techniques of the company. Adopting new design processes ensured versatility and allowed Maison Péry to compete on an international stage. In 2011, she finally decided to sell her family's company to the then President of the Richemont Group, Stanislas de Quercize, thus officially combing Maison Péry into the fold of Van Cleef & Arpels. ‘Jewellery always makes you dream,’ Brigitte explained in an interview with Olivier Bachet for IAJA, ‘To dream of those who wear them, what a pleasure and what a chance to be able to do so. And to dream of those who always make them with real passion.’
More Information
Rubies: of purplish-red hue, medium tone, vivid, overall all well matched in colour Diamonds: unable to assess colour due to yellow mount, estimated clarity VS Maker's mark 'P&Fils' for Pery & Fils located on the tongue of clasp Dog's head for French platinum and Charancon for 18K gold located on the tongue of clasp Signed 'Chaussé.Oran' on reverse of the tongue Normal signs of wear, overall in good condition Total gross weight approx. 51.5g
Bid on this lot
Estimate
€5,000 - €6,000
A RUBY AND DIAMOND BRACELET, BY PÉRY & FILS Of openwork design, composed of flowerheads throughout, each centring a brilliant-cut diamond or circular-cut ruby, mounted in 18K gold and platinum, with maker's mark 'P&Fils' for Péry & Fils, signed 'Chaussé.Oran', French assay marks, length 17.7cm Maison Péry was established in 1875 by Lucien Péry, whose elegant gold chains attracted the attention of the jewellers housed in the place Vendome. The company was run by four generations of Péry's, from Lucien’s son Albert to his grandson Bernard who was the father of the great Brigitte Péry who went on to manage the business for four decades. Albert's work at during the first half of the 20th century was prolific, producing new designs almost every week. However, when the WWII broke out, Albert was taken prisoner and the workshop was closed for six years. Once the conflict ended, the production started again slowly, increasing in the 1950s, during which time Péry created some of Van Cleef & Arpels’s most iconic pieces, including the Domino jewellery sets and Ludo bracelets. Bernard Péry began to make connections with other jewellery houses and started collaborations, first with Paolo Bulgari, which lasted for two decades, followed by Cartier, Boucheron, Mauboussin, Templier and Tiffany. Indeed, it seems there is no major jewellery house of the 20th century the Péry workshops did not produce for. Bernard’s daughter Brigitte was of similar business acumen and when she took over, she continued to pursue this strategy. Amongst her collaborators were Graff, Dior, Fabergé and Mikimoto. In 2008 she launched a large-scale training program for the workshops in order to promote innovation and modernise the production techniques of the company. Adopting new design processes ensured versatility and allowed Maison Péry to compete on an international stage. In 2011, she finally decided to sell her family's company to the then President of the Richemont Group, Stanislas de Quercize, thus officially combing Maison Péry into the fold of Van Cleef & Arpels. ‘Jewellery always makes you dream,’ Brigitte explained in an interview with Olivier Bachet for IAJA, ‘To dream of those who wear them, what a pleasure and what a chance to be able to do so. And to dream of those who always make them with real passion.’
More Information
Rubies: of purplish-red hue, medium tone, vivid, overall all well matched in colour Diamonds: unable to assess colour due to yellow mount, estimated clarity VS Maker's mark 'P&Fils' for Pery & Fils located on the tongue of clasp Dog's head for French platinum and Charancon for 18K gold located on the tongue of clasp Signed 'Chaussé.Oran' on reverse of the tongue Normal signs of wear, overall in good condition Total gross weight approx. 51.5g
