A Sumerian limestone ritual stone vase
A Sumerian limestone ritual stone vase
Late Uruk-Jemdet Nasr Period, circa 3100-2900 B.C.
Of flaring form with flattened foot, decorated in raised relief with a frieze of two lions each attacking a bull, on a notched groundline, 12.6cm high
Provenance:
Hans (1900-1967) and Marie-Louis (1912-1997) Erlenmeyer collection, Basel.
Western Asiatic Cylinder Seals and Antiquities from the Erlenmeyer Collection (Part I); Sotheby's, London, 9 July 1992, lot 273.
Stone vessels of this type were highly prized luxury goods in Sumerian civilisation, being manufactured of often imported stone and requiring a greatly skilled carver. This type of cup often depicted bulls, though more commonly showed the beasts in ceremonial procession, as also depicted on contemporaneous cylinder seals, perhaps reflecting a real-life sacred herd associated with a religious ritual. The motif of a lion attacking a bull may be drawn from everyday life, though, more notably, it likely held symbolic significance, perhaps reflecting the conflict between destructive and harmonious forces of nature.
View it on
Estimate
Time, Location
Auction House
A Sumerian limestone ritual stone vase
Late Uruk-Jemdet Nasr Period, circa 3100-2900 B.C.
Of flaring form with flattened foot, decorated in raised relief with a frieze of two lions each attacking a bull, on a notched groundline, 12.6cm high
Provenance:
Hans (1900-1967) and Marie-Louis (1912-1997) Erlenmeyer collection, Basel.
Western Asiatic Cylinder Seals and Antiquities from the Erlenmeyer Collection (Part I); Sotheby's, London, 9 July 1992, lot 273.
Stone vessels of this type were highly prized luxury goods in Sumerian civilisation, being manufactured of often imported stone and requiring a greatly skilled carver. This type of cup often depicted bulls, though more commonly showed the beasts in ceremonial procession, as also depicted on contemporaneous cylinder seals, perhaps reflecting a real-life sacred herd associated with a religious ritual. The motif of a lion attacking a bull may be drawn from everyday life, though, more notably, it likely held symbolic significance, perhaps reflecting the conflict between destructive and harmonious forces of nature.