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LOT 35254009

A pair of Grand Tour patinated bronze vases. France. Late 19th Century.

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A pair of Grand Tour twin handled patinated bronze vases.
France. Late 19th Century.
Measurements: 17 x 19 x 12 cm.
The vases in neo-classical style, after the antique, is moulded with relief leafwork, loop handles, below extended rim, raised on pedestal base.
The term "Grand Tour", which first appeared in Richard Lassels' "Le Voyage d'Italie", was used to define the long journey through Europe, especially Italy, which was usually undertaken by young British aristocrats from the 17th century onwards, but especially throughout the 18th and 19th centuries. The purpose of the journey was for young people to become acquainted with the art and culture of mainly France and Italy, to admire classical art at first hand, to learn or improve their knowledge of languages, and to establish contacts and relationships with the cultural and political elites of these countries. Travellers were often looking for pieces with which to start their own art collections, objects to take back to their places of residence as souvenirs. For this reason, workshops specialising in the replication of Roman pieces, both in bronze and marble, sprang up, some of which acquired a great reputation.

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Minor traces of use.

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Time, Location
15 Apr 2024
Spain, Barcelona
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[ translate ]

A pair of Grand Tour twin handled patinated bronze vases.
France. Late 19th Century.
Measurements: 17 x 19 x 12 cm.
The vases in neo-classical style, after the antique, is moulded with relief leafwork, loop handles, below extended rim, raised on pedestal base.
The term "Grand Tour", which first appeared in Richard Lassels' "Le Voyage d'Italie", was used to define the long journey through Europe, especially Italy, which was usually undertaken by young British aristocrats from the 17th century onwards, but especially throughout the 18th and 19th centuries. The purpose of the journey was for young people to become acquainted with the art and culture of mainly France and Italy, to admire classical art at first hand, to learn or improve their knowledge of languages, and to establish contacts and relationships with the cultural and political elites of these countries. Travellers were often looking for pieces with which to start their own art collections, objects to take back to their places of residence as souvenirs. For this reason, workshops specialising in the replication of Roman pieces, both in bronze and marble, sprang up, some of which acquired a great reputation.

COMMENTS

Minor traces of use.

[ translate ]
Estimate
Unlock
Time, Location
15 Apr 2024
Spain, Barcelona
Auction House
Unlock