A turquoise-inlaid gilt-copper alloy figure of Guhyasamaja, Tibet, 15th century
A turquoise-inlaid gilt-copper alloy figure of Guhyasamaja
Tibet, 15th century
西藏 十五世紀 銅鎏金嵌寶密集金剛像
Himalayan Art Resources item no. 13836.
HAR編號13836
Height 7⅜ in., 20 cm
Condition Report:
The figure is in very good condition. Several of the turquoise stones have been replaced, and one is missing.
Catalogue Note:
The gilt-copper sculpture depicts the union of the male and female aspects of the meditation deity Guhyasamaja. Both figures have three heads and six arms, with each aspect holding the same attributes of vajra and ghanta, a dharmachakra wheel, a flaming sword, a flaming jewel and a lotus flower. The sculpture represents a significant style group of Tibetan gilt-bronzes that developed in the fifteenth century, with intricate and slender modeling compared to the more robust sculpture of the fourteenth century, and often inset solely with turquoise to the exclusion of other stones. The style was espoused by the artist Sonam Gyaltsen who was active in the first half of the century: compare a standing Avalokiteshvara by the artist, see Jeff Watt, https://www.himalayanart.org/items/61516. The trefoil shape of the petals on the elegant lotus pedestal is a rare variant of the more common rounded petal of the period, cf. the petal style and the similar floral meander engraved around the lower rim of the pedestal of a gilt-bronze Chakrasamvara attributed to the school of Sonam Gyaltsen, ibid., https://www.himalayanart.org/items/2134.
Provenance:
Belgian Private Collection, acquired in the 1980s.
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A turquoise-inlaid gilt-copper alloy figure of Guhyasamaja
Tibet, 15th century
西藏 十五世紀 銅鎏金嵌寶密集金剛像
Himalayan Art Resources item no. 13836.
HAR編號13836
Height 7⅜ in., 20 cm
Condition Report:
The figure is in very good condition. Several of the turquoise stones have been replaced, and one is missing.
Catalogue Note:
The gilt-copper sculpture depicts the union of the male and female aspects of the meditation deity Guhyasamaja. Both figures have three heads and six arms, with each aspect holding the same attributes of vajra and ghanta, a dharmachakra wheel, a flaming sword, a flaming jewel and a lotus flower. The sculpture represents a significant style group of Tibetan gilt-bronzes that developed in the fifteenth century, with intricate and slender modeling compared to the more robust sculpture of the fourteenth century, and often inset solely with turquoise to the exclusion of other stones. The style was espoused by the artist Sonam Gyaltsen who was active in the first half of the century: compare a standing Avalokiteshvara by the artist, see Jeff Watt, https://www.himalayanart.org/items/61516. The trefoil shape of the petals on the elegant lotus pedestal is a rare variant of the more common rounded petal of the period, cf. the petal style and the similar floral meander engraved around the lower rim of the pedestal of a gilt-bronze Chakrasamvara attributed to the school of Sonam Gyaltsen, ibid., https://www.himalayanart.org/items/2134.
Provenance:
Belgian Private Collection, acquired in the 1980s.