AMENDMENT: Please note that the first four prints are later prints after the original mezzotints.John Jones, British 1745-1797- Black Monday or the Departure for School, and Dulce Domum or the Return from School, after William Redmore Bigg;...
AMENDMENT: Please note that the first four prints are later prints after the original mezzotints.
John Jones,
British 1745-1797-
Black Monday or the Departure for School, and Dulce Domum or the Return from School, after William Redmore Bigg;
mezzotints printed in colours, a pair, ea. 49.5 x 62 cm: After William Ward ARA,
British 1762-1826- The Effects of Youthful Extravagance & Idleness, after George Morland; mezzotint printed in colours: Charles Turner ARA, British 1774-1857- Le Baiser Envoyé, after Jean-Baptiste Greuze, 1807; mezzotint printed in colours: together with four etchings of landscapes after Henry John Yeend, John Constable, and Ernest Parton: William Ward, The Fisherman's Departure and The Fisherman Returning; two mezzotints printed in colours: and a further pair of mezzotints depicting mothers and children (12)
Please refer to department for condition report
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AMENDMENT: Please note that the first four prints are later prints after the original mezzotints.
John Jones,
British 1745-1797-
Black Monday or the Departure for School, and Dulce Domum or the Return from School, after William Redmore Bigg;
mezzotints printed in colours, a pair, ea. 49.5 x 62 cm: After William Ward ARA,
British 1762-1826- The Effects of Youthful Extravagance & Idleness, after George Morland; mezzotint printed in colours: Charles Turner ARA, British 1774-1857- Le Baiser Envoyé, after Jean-Baptiste Greuze, 1807; mezzotint printed in colours: together with four etchings of landscapes after Henry John Yeend, John Constable, and Ernest Parton: William Ward, The Fisherman's Departure and The Fisherman Returning; two mezzotints printed in colours: and a further pair of mezzotints depicting mothers and children (12)
Please refer to department for condition report