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AN EGYPTIAN SILVER SCARAB, LATE PERIOD, CIRCA 7TH-4TH CENTURY B.C.

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AN EGYPTIAN STEATITE SCARAB, LATE PERIOD, CIRCA 7TH-4TH CENTURY B.C.

Of oval form, modelled in the round as the sacred beetle with a smooth, domed back and the clypeus, prothorax and elytra indicated by shallow incised lines along the upper surface. The flat underside is engraved with a design organised vertically within the oval field, the central axis occupied by a tall columnar motif flanked by subsidiary signs, the whole now softened by surface accretion and a dark, matte patina overall. Minor losses to the edges and base, with mineral deposits adhering across the engraved face.

The scarab beetle, Scarabaeus sacer, was identified by the Egyptians with the god Khepri, the rising sun, on account of the beetle's habit of rolling a ball of dung before itself, understood as an earthly image of the solar disc propelled across the sky at dawn. Khepri was in turn the god of becoming, of transformation and renewal, and the scarab accordingly became the most widely produced amuletic form of pharaonic Egypt, worn in life and placed with the dead to secure regeneration. The engraved underside, pressed into clay or wax, further allowed the object to function as a seal, so that each scarab united talisman and administrative instrument in a single form.

Steatite, a soft talc-based stone easily carved and then hardened by firing, was the standard material for scarabs from the Middle Kingdom onward and remained in continuous use through the Late Period. Its workability permitted the fine linear engraving of the base design, while a glaze, now largely lost on the present example, was typically applied to protect the surface and to carry the blue-green colour associated with regeneration and the Nile. The present piece preserves the characteristic dark, dense stone body of this tradition, with the glaze reduced to faint traces.

This scarab exemplifies the enduring Late Period production of amuletic seals, in which the pharaonic repertoire of forms and solar symbolism was maintained and reproduced long after the New Kingdom, serving a population for whom the beetle remained the primary guarantor of renewal in this life and the next.

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Time, Location
23 Oct 2026
UK, London
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[ translate ]

AN EGYPTIAN STEATITE SCARAB, LATE PERIOD, CIRCA 7TH-4TH CENTURY B.C.

Of oval form, modelled in the round as the sacred beetle with a smooth, domed back and the clypeus, prothorax and elytra indicated by shallow incised lines along the upper surface. The flat underside is engraved with a design organised vertically within the oval field, the central axis occupied by a tall columnar motif flanked by subsidiary signs, the whole now softened by surface accretion and a dark, matte patina overall. Minor losses to the edges and base, with mineral deposits adhering across the engraved face.

The scarab beetle, Scarabaeus sacer, was identified by the Egyptians with the god Khepri, the rising sun, on account of the beetle's habit of rolling a ball of dung before itself, understood as an earthly image of the solar disc propelled across the sky at dawn. Khepri was in turn the god of becoming, of transformation and renewal, and the scarab accordingly became the most widely produced amuletic form of pharaonic Egypt, worn in life and placed with the dead to secure regeneration. The engraved underside, pressed into clay or wax, further allowed the object to function as a seal, so that each scarab united talisman and administrative instrument in a single form.

Steatite, a soft talc-based stone easily carved and then hardened by firing, was the standard material for scarabs from the Middle Kingdom onward and remained in continuous use through the Late Period. Its workability permitted the fine linear engraving of the base design, while a glaze, now largely lost on the present example, was typically applied to protect the surface and to carry the blue-green colour associated with regeneration and the Nile. The present piece preserves the characteristic dark, dense stone body of this tradition, with the glaze reduced to faint traces.

This scarab exemplifies the enduring Late Period production of amuletic seals, in which the pharaonic repertoire of forms and solar symbolism was maintained and reproduced long after the New Kingdom, serving a population for whom the beetle remained the primary guarantor of renewal in this life and the next.

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Time, Location
23 Oct 2026
UK, London
Auction House
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