AN ELEGANT INLAID BLACK LACQUER FOUR-CASE INRO WITH CAMELLIA BLOSSOMS
AN ELEGANT INLAID BLACK LACQUER FOUR-CASE INRO WITH CAMELLIA BLOSSOMS
Unsigned
Japan, 19th century, Edo period (1615-1868)
Of upright rectangular form and oval section, bearing a lustrous roiro ground, finely worked in gold takamaki-e, as well as kirigane and inlays of wonderfully iridescent aogai, to depict to the front a blossoming camellia on a branch with dense foliage, the branch extending to the verso with lesser leaves and a single bud growing to the top, alluding to the arrival of spring. The interior compartments lacquered red and black with gold fundame edges. With a stone ojime.
HEIGHT 8.4 cm, LENGTH 6.7 cm
Condition: Good condition with minor typical wear and losses, particularly along the edges of the cases. A small nashiiji repair near the camellia bud and and a few scattered losses to the gold lacquered leaves. Typical minor losses to kirigane flakes.
Museum comparison:
Compare a related black lacquer inro with similar inlays, by Sakai Hoitsu, in the Museum of Fine Arts Boston (MFA), accession no. 11.10073.
Sale price
Estimate
Reserve
Time, Location
Auction House
AN ELEGANT INLAID BLACK LACQUER FOUR-CASE INRO WITH CAMELLIA BLOSSOMS
Unsigned
Japan, 19th century, Edo period (1615-1868)
Of upright rectangular form and oval section, bearing a lustrous roiro ground, finely worked in gold takamaki-e, as well as kirigane and inlays of wonderfully iridescent aogai, to depict to the front a blossoming camellia on a branch with dense foliage, the branch extending to the verso with lesser leaves and a single bud growing to the top, alluding to the arrival of spring. The interior compartments lacquered red and black with gold fundame edges. With a stone ojime.
HEIGHT 8.4 cm, LENGTH 6.7 cm
Condition: Good condition with minor typical wear and losses, particularly along the edges of the cases. A small nashiiji repair near the camellia bud and and a few scattered losses to the gold lacquered leaves. Typical minor losses to kirigane flakes.
Museum comparison:
Compare a related black lacquer inro with similar inlays, by Sakai Hoitsu, in the Museum of Fine Arts Boston (MFA), accession no. 11.10073.