ANDY WARHOL | CAMPBELL'S SOUP CAN
ANDY WARHOL
1928 - 1987
CAMPBELL'S SOUP CAN
signed and dated 62 on the reverse
graphite on paper
23¾ by 18 in. 60.3 by 45.7 cm.
framed: 31¼ by 25½ in. 79.4 by 64.8 cm.
Condition Report:
This work is in very good condition overall. There is a slight undulation to the sheet, inherent to the artist's working method. There are some minor graphite smudges where the medium has been applied more thickly at the top and bottom of the can and in the 'm,' likely a result of the artist's working method. Only visible under very close inspection, there are a couple of minor and unobtrusive pinpoint light beige spot accretions at the top and upper edges of the sheet. The sheet is hinged verso to the matte at the corners. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
Leo Castelli Gallery, New York (LC# D-7)
Collection of Leon Kraushar, New York
Collection of Karl Ströher, Darmstadt (acquired from the above in 1968)
Private Collection, Europe (by descent from the above)
Sotheby's, New York, 12 May 2016, Lot 109
Acquired from the above sale by the present owner
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Time, Location
Auction House
ANDY WARHOL
1928 - 1987
CAMPBELL'S SOUP CAN
signed and dated 62 on the reverse
graphite on paper
23¾ by 18 in. 60.3 by 45.7 cm.
framed: 31¼ by 25½ in. 79.4 by 64.8 cm.
Condition Report:
This work is in very good condition overall. There is a slight undulation to the sheet, inherent to the artist's working method. There are some minor graphite smudges where the medium has been applied more thickly at the top and bottom of the can and in the 'm,' likely a result of the artist's working method. Only visible under very close inspection, there are a couple of minor and unobtrusive pinpoint light beige spot accretions at the top and upper edges of the sheet. The sheet is hinged verso to the matte at the corners. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Provenance:
Leo Castelli Gallery, New York (LC# D-7)
Collection of Leon Kraushar, New York
Collection of Karl Ströher, Darmstadt (acquired from the above in 1968)
Private Collection, Europe (by descent from the above)
Sotheby's, New York, 12 May 2016, Lot 109
Acquired from the above sale by the present owner