ANTOINE BLANCHARD ARC DE TRIOMPHE CHAMPS ELYSEES OIL

ANTOINE BLANCHARD ARC DE TRIOMPHE CHAMPS ELYSEES OIL PAINTING
DETAILS: - ARTIST: Antoine Blanchard
- ORIGIN: French, 1910-1988
- MEDIUM: Oil on Canvas
- SIGNATURE: Antoine Blanchard (lr); and inscribed on the verso A.Blanchard PARIS.
- TITLE: A VIEW OF ARC DE TRIOMPHE FROM THE CHAMPS-ELYSEES
- SIZE: 13 x 18 In. (Artwork) / 16-1/2 x 21-1/2 In. (Framed)
- CONDITION: Could use a light cleaning, Otherwise very good to excellent.
BACKGROUND:
Antoine Blanchard was born in France on November 15, 1910 in a small village near the banks of the Loire. He was the eldest of three children and his father, a carver, managed a small carpentry and furniture shop. Antoine would watch his father hand carve the furniture and began to display an artistic flair early in life - in an effort to promote this talent, his parents sent him to Blois for drawing lessons. He continued his training in Rennes at the Ecole des Beaux-Arts where he studied sculpture and drawing. Upon completion of his studies, he was awarded the schools highest award: Le Prix du Ministre.
By 1932 he left Rennes and traveled to Paris to study. He enrolled at the Ecole des Beaux-Arts and after a few years entered the competition for the Prix de Rome. It was in Paris that he developed a love for the city and it's street life.
Many of the subjects and scenes he portrayed were taken from images he collected of Paris during the 1890's, and he would often work on paintings for days or months before he finally felt they were complete. A.P. Larde comments in his book Antoine Blanchard, His Life His Work that he has always spent much time on his work: This explains why his production has always been rather limited, unlike the hurried and multiple proliferations of some modern artistsâ?¦ Delicate touches of luminous and shimmering tones produce a marvelous impression of harmony, brightness and light. Alternate shadings and lights, sensitive and mellow blending allow the artist to attain a hardly-ever reached degree of grace, of radiant and glimmering freshness.
Like his contemporary, Edouard Cortes, he devoted his artistic career to the depiction of Paris through all its daily and seasonal changes. But he was not an imitator of Cortes, but rather depicted the life of Paris at the turn of the century from his own point of view and with his own, unique style. Larde makes an interesting comparison:
Edouard Cortes has always expressed himself in a rather rich virile style, using large and stressed touches, revealing a strength, which recalls the great masters of the XVIIIth century.
On the contrary, Antoine Blanchard has always used small strokes, with a delicate, enveloping and mellow treatment; the slight haziness which is a characteristic of his work in many ways recalls the great masters of the impressionist period.
Whether it was l'Arc de Triomphe, la Madeleine, Cafe de la Paix, Notre Dame or the dozens of other historical monuments and buildings of Paris, his focus was on the daily life of Paris at the turn of the century.
His work became highly sought after and collectors from around the world vied to acquire his new works. Today he is considered one of the leading exponents of the School of Paris painters.
Condition Report: Could use a light cleaning, Otherwise very good to excellent.