![[ARCHITECTURAL PAINTING] – LOT of 16 mainly late 20th-cent. Dutch & English (scholarly) works (incl. 1 duplicate), mainly related to 17th-cent. Dutch architectural painting.](https://gcp-la8-storage-cdn.lot-art.com/public/upl/1/ARCHITECTURAL-PAINTING-LOT-of-16-mainly-late-20th-cent-Dutch-and-English-scholarly-works-incl-1-duplicate-mainly-related-to-1_641095568bd30-full-00853600_1678808407.jpg "[ARCHITECTURAL PAINTING] – LOT of 16 mainly late 20th-cent. Dutch & English (scholarly) works (incl. 1 duplicate), mainly related to 17th-cent. Dutch architectural painting.")
[ARCHITECTURAL PAINTING] – LOT of 16 mainly late 20th-cent. Dutch & English (scholarly) works (incl. 1 duplicate), mainly related to 17th-cent. Dutch architectural painting.
Description
With (col.) plates & ills. Various sizes, various bindings.
Footnote
¶ All vols. ex bibliotheca prof. dr. Albert Blankert (1940-2022, Dutch art historian) comprising i.a. K. FREMANTLE, “The Baroque Town Hall of Amsterdam” (1959. Orbis Artium. Utrechtse Kunsthistorische Studiën IV); M. VAN EIKEMA HOMMES & E. KOLFIN, “De Oranjezaal in Huis ten Bosch. Een zaal uit loutere liefde” (2013); J.J. TERWEN & K.A. OTTENHEYM, “Pieter Post (1608-1669), Architect” (1993. With loosely inserted MANUSCRIPT NOTE by co-author K.A. Ottenheym, dated “[Utrecht] 23/II/98”); W.A. LIEDTKE, “Architectural Painting in Delft. Gerard Houckgeest, Hendrick van Vliet, Emanuel de Witte” (1982); R. RUURS, “Saenredam. The art of perspective [..]” (1986. Rare thesis); G. SCHWARTZ & M.J. BOK, “Pieter Saenredam. De schilder in zijn tijd. [Dutch transl. by L. Schwartz]” (1989); H. JANTZEN, “Das niederländische Architekturbild [..]” (1979) & J. HUISKEN [a.o.] [ed.], “Jacob van Campen. Het klassieke ideaal in de Gouden Eeuw” (1995. With loosely inserted copy of a manuscript letter by Albert Blankert addressed to co-author Quentin Buvelot, dated “Den Haag, 5 juni ‘95”). ¶ Partly with small imperfections and/or traces of use.
Sale price
Reserve
Time, Location
Auction House
Description
With (col.) plates & ills. Various sizes, various bindings.
Footnote
¶ All vols. ex bibliotheca prof. dr. Albert Blankert (1940-2022, Dutch art historian) comprising i.a. K. FREMANTLE, “The Baroque Town Hall of Amsterdam” (1959. Orbis Artium. Utrechtse Kunsthistorische Studiën IV); M. VAN EIKEMA HOMMES & E. KOLFIN, “De Oranjezaal in Huis ten Bosch. Een zaal uit loutere liefde” (2013); J.J. TERWEN & K.A. OTTENHEYM, “Pieter Post (1608-1669), Architect” (1993. With loosely inserted MANUSCRIPT NOTE by co-author K.A. Ottenheym, dated “[Utrecht] 23/II/98”); W.A. LIEDTKE, “Architectural Painting in Delft. Gerard Houckgeest, Hendrick van Vliet, Emanuel de Witte” (1982); R. RUURS, “Saenredam. The art of perspective [..]” (1986. Rare thesis); G. SCHWARTZ & M.J. BOK, “Pieter Saenredam. De schilder in zijn tijd. [Dutch transl. by L. Schwartz]” (1989); H. JANTZEN, “Das niederländische Architekturbild [..]” (1979) & J. HUISKEN [a.o.] [ed.], “Jacob van Campen. Het klassieke ideaal in de Gouden Eeuw” (1995. With loosely inserted copy of a manuscript letter by Albert Blankert addressed to co-author Quentin Buvelot, dated “Den Haag, 5 juni ‘95”). ¶ Partly with small imperfections and/or traces of use.
