![[ART HISTORY] – LOT of 51 mainly late 20th-cent. works in 52 vols., mainly related to art history.](https://gcp-la8-storage-cdn.lot-art.com/public/upl/3/ART-HISTORY-LOT-of-51-mainly-late-20th-cent-works-in-52-vols-mainly-related-to-art-history_64109552f05f3-full-33147200_1678808403.jpg "[ART HISTORY] – LOT of 51 mainly late 20th-cent. works in 52 vols., mainly related to art history.")
[ART HISTORY] – LOT of 51 mainly late 20th-cent. works in 52 vols., mainly related to art history.
Description
With (col.) plates & ills. Various sizes, various bindings.
Footnote
¶ Comprising i.a. A.M. SMITH [ed.], “Alhacen on the Principles of Reflection. A Critical Edition, with English Translation and Commentary, of Books 4 and 5 of Alhacen’s ‘De Aspectibus’, the Medieval Latin Version of Ibn al-Haytham’s ‘Kitab al-Manazir’” (2006, 2 vols.); M. FRASER & W. KWIATKOWSKI, “Ink and Gold. Islamic Calligraphy” (2006); K.P. JANKRIFT, “Mit Gott und schwarzer Magie. Medizin im Mittelalter” (2005); H.-R. MEIER & D.S. SCHÜRMANN [ed.], “Schwelle zum Paradies. Die Galluspforte des Basler Münsters” (2002); [J.M. PLOTZEK & U. SURMANN] [ed.], “Glaube und Wissen im Mittelalter. Die Kölner Dombibliothek” (1998); M. MARGUE [ed.], “Un itinéraire européen. Jean l’Aveugle, comte de Luxembourg et roi de Bohême, 1296-1346” (1996); R. BIONDA & C. BLOTKAMP [ed.], “De schilders van Tachtig. Nederlandse schilderkunst 1880-1895” (1994); W.H. GERDTS [a.o.], “Lasting Impressions. American Painters in France, 1865-1915 [..]” (1992); R. PICKVANCE, “Van Gogh in Arles” (1984) & G. VASARI, “Le vite dei più celebri pittori, scultori e architetti [..]” (Firenze, Adriano Salani, 1925).
Sale price
Reserve
Time, Location
Auction House
Description
With (col.) plates & ills. Various sizes, various bindings.
Footnote
¶ Comprising i.a. A.M. SMITH [ed.], “Alhacen on the Principles of Reflection. A Critical Edition, with English Translation and Commentary, of Books 4 and 5 of Alhacen’s ‘De Aspectibus’, the Medieval Latin Version of Ibn al-Haytham’s ‘Kitab al-Manazir’” (2006, 2 vols.); M. FRASER & W. KWIATKOWSKI, “Ink and Gold. Islamic Calligraphy” (2006); K.P. JANKRIFT, “Mit Gott und schwarzer Magie. Medizin im Mittelalter” (2005); H.-R. MEIER & D.S. SCHÜRMANN [ed.], “Schwelle zum Paradies. Die Galluspforte des Basler Münsters” (2002); [J.M. PLOTZEK & U. SURMANN] [ed.], “Glaube und Wissen im Mittelalter. Die Kölner Dombibliothek” (1998); M. MARGUE [ed.], “Un itinéraire européen. Jean l’Aveugle, comte de Luxembourg et roi de Bohême, 1296-1346” (1996); R. BIONDA & C. BLOTKAMP [ed.], “De schilders van Tachtig. Nederlandse schilderkunst 1880-1895” (1994); W.H. GERDTS [a.o.], “Lasting Impressions. American Painters in France, 1865-1915 [..]” (1992); R. PICKVANCE, “Van Gogh in Arles” (1984) & G. VASARI, “Le vite dei più celebri pittori, scultori e architetti [..]” (Firenze, Adriano Salani, 1925).
