AUGUSTE RODIN (1840-1917) Femme debout, jambes écartées, les mains vers le visage (Exe...
AUGUSTE RODIN (1840-1917)
Femme debout, jambes écartées, les mains vers le visage
signed 'Aug Rodin' (lower right)
watercolour and pencil on paper
30.6 x 22.5cm (12 1/16 x 8 7/8in).
Executed circa 1896-1898
Footnotes:
The authenticity of this work has been confirmed by Christina Buley-Uribe. This work will be included in the forthcoming Auguste Rodin catalogue raisonné of paintings and works on paper, currently being prepared.
Provenance
Nicolas and Peggy Khalil Bey Collection, Egypt & UK (acquired by 1949).
Private collection, UK (a gift from the above).
Private collection, UK (by descent from the above).
For further information on this lot please visit Bonhams.com
Condition
The sheet is fully laid down on paper.A remnant of adhesive to the upper left edge. A small repaired tear (approx. 0.5cm) to the right lower edge. There are mount staining and light mount rubbing to the outer edges. The sheet has darkened within a historic mount, and the pigments have faded slightly as a result. Spots of water staining to the outer margins. Some small, scattered spots of foxing are visible.In our opinion, the work presents well.
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Time, Location
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AUGUSTE RODIN (1840-1917)
Femme debout, jambes écartées, les mains vers le visage
signed 'Aug Rodin' (lower right)
watercolour and pencil on paper
30.6 x 22.5cm (12 1/16 x 8 7/8in).
Executed circa 1896-1898
Footnotes:
The authenticity of this work has been confirmed by Christina Buley-Uribe. This work will be included in the forthcoming Auguste Rodin catalogue raisonné of paintings and works on paper, currently being prepared.
Provenance
Nicolas and Peggy Khalil Bey Collection, Egypt & UK (acquired by 1949).
Private collection, UK (a gift from the above).
Private collection, UK (by descent from the above).
For further information on this lot please visit Bonhams.com
Condition
The sheet is fully laid down on paper.A remnant of adhesive to the upper left edge. A small repaired tear (approx. 0.5cm) to the right lower edge. There are mount staining and light mount rubbing to the outer edges. The sheet has darkened within a historic mount, and the pigments have faded slightly as a result. Spots of water staining to the outer margins. Some small, scattered spots of foxing are visible.In our opinion, the work presents well.