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LOT 2

Adoration of the Magi, 15th Century

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ADORATION OF THE MAGI, 15TH CENTURY
The Adoration of the Magi, illuminated cutting from a Gradual in Latin [Northern Italy (Lombardy?), c. 1460]

Vellum, a cutting with a historiated initial ‘E’, c.120x120mm, probably introducing ‘Ecce advenit dominator dominus …’ for the feast of Epiphany in a Gradual, the reverse with music in square notation on four-line red staves, their rastrum c.40mm, and a trace of text ‘[…]no’; the scene is set before a mountainous landscape, the eldest magus kneeling to kiss the infant’s feet, the second magus pointing to the Star of Bethlehem and conversing with the youngest, and Joseph placing the first gift in a coffer; with some rubbing and minor flaking of gold, the upper edge of the initial slightly cropped, but generally in fine condition; framed and glazed (c.155x145mm).

The initial is remarkable for its iconography for at least four reasons. The Three Magi do not usually have haloes (which are here distinguished by their scalloped edges); their gifts are not usually depicted uniformly; the scene is not usually set before a landscape, with no indication of the stable; and we have been able to find no other example in which St Joseph is apparently placing the gifts in a box for safe-keeping.
The figures’ flesh is distinctively modelled, with green and buff, and they are set against a jagged landscape modelled with agitated black and white strokes; the eldest magus’s cloak stands out both for its bright red colour and it fine modelling; the style is close to that of the Maestro dei corali di San Michele a Pavia, and related to the choirbooks of San Sisto, Picenza, as Anna Melograni kindly informs us, suggesting an origin in southern Lombardy, or perhaps northern Emilia-Romagna.

PROVENANCE:
Mrs M. Lambarde, sold anonymously at Sotheby’s, 24–25 January 1949, lot 289 (the reverse of the frame with a clipping from the catalogue), bought for £8 by John B. Penfold, for Jean Poultney (whom he married the following year); by descent to the present owner.

Condition Report:
Condition is described in the main body of the cataloguing, where appropriate.

We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

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[ translate ]

ADORATION OF THE MAGI, 15TH CENTURY
The Adoration of the Magi, illuminated cutting from a Gradual in Latin [Northern Italy (Lombardy?), c. 1460]

Vellum, a cutting with a historiated initial ‘E’, c.120x120mm, probably introducing ‘Ecce advenit dominator dominus …’ for the feast of Epiphany in a Gradual, the reverse with music in square notation on four-line red staves, their rastrum c.40mm, and a trace of text ‘[…]no’; the scene is set before a mountainous landscape, the eldest magus kneeling to kiss the infant’s feet, the second magus pointing to the Star of Bethlehem and conversing with the youngest, and Joseph placing the first gift in a coffer; with some rubbing and minor flaking of gold, the upper edge of the initial slightly cropped, but generally in fine condition; framed and glazed (c.155x145mm).

The initial is remarkable for its iconography for at least four reasons. The Three Magi do not usually have haloes (which are here distinguished by their scalloped edges); their gifts are not usually depicted uniformly; the scene is not usually set before a landscape, with no indication of the stable; and we have been able to find no other example in which St Joseph is apparently placing the gifts in a box for safe-keeping.
The figures’ flesh is distinctively modelled, with green and buff, and they are set against a jagged landscape modelled with agitated black and white strokes; the eldest magus’s cloak stands out both for its bright red colour and it fine modelling; the style is close to that of the Maestro dei corali di San Michele a Pavia, and related to the choirbooks of San Sisto, Picenza, as Anna Melograni kindly informs us, suggesting an origin in southern Lombardy, or perhaps northern Emilia-Romagna.

PROVENANCE:
Mrs M. Lambarde, sold anonymously at Sotheby’s, 24–25 January 1949, lot 289 (the reverse of the frame with a clipping from the catalogue), bought for £8 by John B. Penfold, for Jean Poultney (whom he married the following year); by descent to the present owner.

Condition Report:
Condition is described in the main body of the cataloguing, where appropriate.

We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

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Sale price
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Estimate
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Time, Location
03 Dec 2019
UK, London
Auction House
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