After J.-B. von Lampi, eld. (Italian, 1751-1830)
After Johann Baptist von Lampi the Elder
(Italian/Austrian, 1751-1830)
"Portrait of Jozefina Amalia Potocka and her Daughter, Pelagia"
oil on canvas
conjoined monogram "EVLB" lower left, old handwritten note in Norwegian and a "Eugene O'Karma/Atlanta, Georgia" gallery label en verso.
Framed.
54" x 44", framed 57" x 48"
Provenance: Eugene O'Karma Gallery, Atlanta, Georgia; Estate of Marjorie and Charles West, Atlanta, Georgia; Brunk Auctions, Asheville, North Carolina, May 20, 2017, lot 1166; Private collection, Mississippi.
Condition Report: **Previously relined with new stretcher bars; toning of the varnish layer; small abraded areas with paint loss upper center (green cloth by shoulder) and lower left (cream dress by table); several surface marks by lower edge; areas of inpainting include upper right (young woman's eye, chin, lips and chest) and mid left (woman's hair, cheek, chest and bodice of her dress); areas of inpainting in the upper third and upper left corner (background).
Modern frame with surface marks, nicks, abrasions and small losses throughout.
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After Johann Baptist von Lampi the Elder
(Italian/Austrian, 1751-1830)
"Portrait of Jozefina Amalia Potocka and her Daughter, Pelagia"
oil on canvas
conjoined monogram "EVLB" lower left, old handwritten note in Norwegian and a "Eugene O'Karma/Atlanta, Georgia" gallery label en verso.
Framed.
54" x 44", framed 57" x 48"
Provenance: Eugene O'Karma Gallery, Atlanta, Georgia; Estate of Marjorie and Charles West, Atlanta, Georgia; Brunk Auctions, Asheville, North Carolina, May 20, 2017, lot 1166; Private collection, Mississippi.
Condition Report: **Previously relined with new stretcher bars; toning of the varnish layer; small abraded areas with paint loss upper center (green cloth by shoulder) and lower left (cream dress by table); several surface marks by lower edge; areas of inpainting include upper right (young woman's eye, chin, lips and chest) and mid left (woman's hair, cheek, chest and bodice of her dress); areas of inpainting in the upper third and upper left corner (background).
Modern frame with surface marks, nicks, abrasions and small losses throughout.