After Suzuki Harunobu (Japanese, Edo period, 1725-1770) 'Lovers Walking in...
After Suzuki Harunobu (Japanese, Edo period, 1725-1770) 'Lovers Walking in the Snow (Crow and Heron), woodblock print, signed to the right, 23.5cm x 18.5cm and 'The Heron Maiden', woodblock print, signed to the right, 23.5cm x 18.5cm (2)After Suzuki Harunobu (Japanese, Edo period, 1725-1770) 'Lovers Walking in the Snow (Crow and Heron), woodblock print, signed to the right, 23.5cm x 18.5cm and 'The Heron Maiden', woodblock print, signed to the right, 23.5cm x 18.5cm (2)
Cockled paper. Small unidentifiable foreign object behind the glass of 'The Heron Maiden'. Both prints with marks. 'The Heron Maiden' with potential time/UV fade. Tape attached to the back of both frames. The frame of 'The Heron Maiden' is slightly loose from the glass/mount at the top. Both frames with signs of wear consistent with age and use. Losses and tears to the tape on the back of one of the frames. The back of both frames with holes.
Bid on this lot
After Suzuki Harunobu (Japanese, Edo period, 1725-1770) 'Lovers Walking in the Snow (Crow and Heron), woodblock print, signed to the right, 23.5cm x 18.5cm and 'The Heron Maiden', woodblock print, signed to the right, 23.5cm x 18.5cm (2)After Suzuki Harunobu (Japanese, Edo period, 1725-1770) 'Lovers Walking in the Snow (Crow and Heron), woodblock print, signed to the right, 23.5cm x 18.5cm and 'The Heron Maiden', woodblock print, signed to the right, 23.5cm x 18.5cm (2)
Cockled paper. Small unidentifiable foreign object behind the glass of 'The Heron Maiden'. Both prints with marks. 'The Heron Maiden' with potential time/UV fade. Tape attached to the back of both frames. The frame of 'The Heron Maiden' is slightly loose from the glass/mount at the top. Both frames with signs of wear consistent with age and use. Losses and tears to the tape on the back of one of the frames. The back of both frames with holes.
