Alberto Magnelli Remuant l'infini
Property from a Distinguished Private French Collection
Alberto Magnelli
1888 - 1971
Remuant l'infini
signed Magnelli and dated 48 (lower right); signed MAGNELLI, titled "REMUANT L'INFINI" and dated PARIS 1948 (on the reverse)
oil on canvas
146 x 97 cm; 57½ x 38¼ in.
Painted in 1948.
__________________________________________________________________________
Provenant d'une Prestigieuse Collection Particulière Française
Alberto Magnelli
1888 - 1971
Remuant l'infini
signé Magnelli et daté 48 (en bas à droite); signé MAGNELLI, titré "REMUANT L'INFINI" et daté PARIS 1948 (au dos)
huile sur toile
146 x 97 cm; 57½ x 38¼ in.
Peint en 1948.
Condition Report:
Canvas is not lined. There is some light frame rubbing along the edges. There are tiny studio marks only visible under very close inspection. Examination under UV light reveals two dots of retouching, one located in the upper left corner (approx. 3.5 cm) and a further tiny one (approx 0.3 cm) located in the upper right corner. This work is in overall good condition.
Catalogue Note:
© ADAGP, Paris, 2024.
Provenance:
The artist's estate
Private collection, Paris (1964)
Private collection
Christie's, London, 3 December 1992, lot 4 (consigned by the above)
Acquired at the above sale by the present owner
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Property from a Distinguished Private French Collection
Alberto Magnelli
1888 - 1971
Remuant l'infini
signed Magnelli and dated 48 (lower right); signed MAGNELLI, titled "REMUANT L'INFINI" and dated PARIS 1948 (on the reverse)
oil on canvas
146 x 97 cm; 57½ x 38¼ in.
Painted in 1948.
__________________________________________________________________________
Provenant d'une Prestigieuse Collection Particulière Française
Alberto Magnelli
1888 - 1971
Remuant l'infini
signé Magnelli et daté 48 (en bas à droite); signé MAGNELLI, titré "REMUANT L'INFINI" et daté PARIS 1948 (au dos)
huile sur toile
146 x 97 cm; 57½ x 38¼ in.
Peint en 1948.
Condition Report:
Canvas is not lined. There is some light frame rubbing along the edges. There are tiny studio marks only visible under very close inspection. Examination under UV light reveals two dots of retouching, one located in the upper left corner (approx. 3.5 cm) and a further tiny one (approx 0.3 cm) located in the upper right corner. This work is in overall good condition.
Catalogue Note:
© ADAGP, Paris, 2024.
Provenance:
The artist's estate
Private collection, Paris (1964)
Private collection
Christie's, London, 3 December 1992, lot 4 (consigned by the above)
Acquired at the above sale by the present owner